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  Volume 13, 2009

Table of Contents

Clares in Procession: The Processional and Hours of the Franciscan Minoresses at Aldgate

pp. 1-23

Bernstein, Homophobia, Historiography

pp. 24-42

Theorizing Gender, Culture, and Music: “Queer Vibrations”

What's Queer about Musicology Now?

pp. 43-53

Amor nello specchio (1622): Mirroring, Masturbation, and Same-Sex Love

pp. 54-65

"Do You Nomi?": Klaus Nomi and the Politics of (Non)identification

pp. 66-75

The Erotics of an Oil Drum: Queercore, Gay Macho, and the Defiant Sexuality of Extra Fancy's Sinnerman

pp. 76-87


Ruth Crawford Seeger's Worlds: Innovation and Tradition in Twentieth-Century American Music (review)

pp. 88-90

Boccherini's Body: An Essay in Carnal Musicology (review)

pp. 90-95

Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera (review)

pp. 95-98

Women Composers and Music Technology in the United States: Crossing the Line (review)

pp. 98-101

O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage (review)

pp. 101-106

Bay Area Women in Creative Music (http://music.mills.edu/bawcm/) (review)

pp. 106-108

Queering the Popular Pitch (review)

pp. 109-112



pp. 113-114

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