We cannot verify your location
Browse Book and Journal Content on Project MUSE
OR

  Volume 13, 2009

Table of Contents

Clares in Procession: The Processional and Hours of the Franciscan Minoresses at Aldgate

pp. 1-23
|

Bernstein, Homophobia, Historiography

pp. 24-42
|

Theorizing Gender, Culture, and Music: “Queer Vibrations”

What's Queer about Musicology Now?

pp. 43-53
|

Amor nello specchio (1622): Mirroring, Masturbation, and Same-Sex Love

pp. 54-65
|

"Do You Nomi?": Klaus Nomi and the Politics of (Non)identification

pp. 66-75
|

The Erotics of an Oil Drum: Queercore, Gay Macho, and the Defiant Sexuality of Extra Fancy's Sinnerman

pp. 76-87
|

Reviews

Ruth Crawford Seeger's Worlds: Innovation and Tradition in Twentieth-Century American Music (review)

pp. 88-90
|

Boccherini's Body: An Essay in Carnal Musicology (review)

pp. 90-95
|

Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera (review)

pp. 95-98
|

Women Composers and Music Technology in the United States: Crossing the Line (review)

pp. 98-101
|

O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage (review)

pp. 101-106
|

Bay Area Women in Creative Music (http://music.mills.edu/bawcm/) (review)

pp. 106-108
|

Queering the Popular Pitch (review)

pp. 109-112
|

Contributors

Contributors

pp. 113-114
|

Research Areas

Recommend

  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access