1. Clares in Procession: The Processional and Hours of the Franciscan Minoresses at Aldgate
  2. Anne Bagnall Yardley
  3. pp. 1-23
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  1. Bernstein, Homophobia, Historiography
  2. Nadine Hubbs
  3. pp. 24-42
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  1. What's Queer about Musicology Now?
  2. Rachel Lewis
  3. pp. 43-53
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  1. Amor nello specchio (1622): Mirroring, Masturbation, and Same-Sex Love
  2. Emily Wilbourne
  3. pp. 54-65
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  1. "Do You Nomi?": Klaus Nomi and the Politics of (Non)identification
  2. Žarko Cvejić
  3. pp. 66-75
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  1. The Erotics of an Oil Drum: Queercore, Gay Macho, and the Defiant Sexuality of Extra Fancy's Sinnerman
  2. Kevin Schwandt
  3. pp. 76-87
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  1. Ruth Crawford Seeger's Worlds: Innovation and Tradition in Twentieth-Century American Music (review)
  2. Beverley Diamond
  3. pp. 88-90
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  1. Boccherini's Body: An Essay in Carnal Musicology (review)
  2. Kelly Savage
  3. pp. 90-95
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  1. Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera (review)
  2. Stephanie Jensen-Moulton
  3. pp. 95-98
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  1. Women Composers and Music Technology in the United States: Crossing the Line (review)
  2. Elizabeth L. Keathley
  3. pp. 98-101
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  1. O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage (review)
  2. Megan McFadden
  3. pp. 101-106
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  1. Bay Area Women in Creative Music (http://music.mills.edu/bawcm/) (review)
  2. Gascia Ouzounian
  3. pp. 106-108
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  1. Queering the Popular Pitch (review)
  2. Dana Baitz
  3. pp. 109-112
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  1. Contributors
  2. pp. 113-114
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