1. TDR Comment: Two or Three Questions for Rene Major and Jacques Derrida
  2. Augusto Boal
  3. pp. 5-6
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  1. The Black Dandyism of George Walker: A Case Study of Genealogical Method
  2. Barbara L. Webb
  3. pp. 7-24
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  1. The Hawaiification of Sipsongbanna: Orality, Power, and Cultural Survival in Southwest China
  2. Sara Davis
  3. pp. 25-41
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  1. At Play in the Cosmos: The Theatre and Ritual of Nicolas Nunez
  2. Deborah Middleton
  3. pp. 42-63
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  1. from At Odds With Church Over Sexuality
  2. Mary Rourke
  3. pp. 44-45
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  1. Turning the Neighborhood Inside Out: Imagining a New Detroit in Tyree Guyton's Heidelberg Project
  2. Wendy S. Walters
  3. pp. 64-93
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  1. Performances of Self-Disclosure: A Personal History
  2. David A. Garrick
  3. pp. 94-105
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  1. Gay Priest Resigns in Protest: Letter to the Editor
  2. David A. Garrick
  3. p. 97
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  1. from At Odds With Church Over Sexuality
  2. Mary Rourke
  3. p. 99
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  1. Desdemona's Lament
  2. J. M. Taylor
  3. pp. 106-124
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  1. Artwork from Devoto Penitentiary
  2. Julie Taylor
  3. p. 114
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  1. Broadway: A Theatre Historian's Perspective
  2. Brooks McNamara
  3. pp. 125-128
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  1. The Metonymy of Art: Vietnamese Water Puppetry As a Representation of Modern Vietnam
  2. Kathy Foley
  3. pp. 129-141
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  1. The Simplest Surrealist Act: Valerie Solanas and the (Re)Assertion of Avantgarde Priorities
  2. James Martin Harding
  3. pp. 142-162
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  1. Up Your Ass
  2. Valerie Solanas
  3. pp. 152-153
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  1. Williams: A Streetcar Named Desire (review)
  2. Una Chaudhuri
  3. pp. 163-164
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  1. Drama, Performance, and Polity in Pre-Cromwellian Ireland (review)
  2. Milla Cozart Riggio
  3. pp. 165-167
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  1. Jose, Can You See?: Latinos On and Off Broadway, and: Latinas On Stage (review)
  2. Ramon H. Rivera-Servera
  3. pp. 167-171
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  1. The Situationist City, and: Guy Debord (review)
  2. James L. Penner
  3. pp. 171-175
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