1. TDR Comment: Performance and Global Transference
  2. Jon McKenzie
  3. pp. 5-7
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  1. Letters, Etc.: Touchstone--How Radical Is Radical?
  2. Mark McKenna, Bill George, Jennie Gilrain, Cora Hook, Bette Kovach, Bill Rauch, Alison Carey, Sara Brady
  3. pp. 8-23
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  1. Letters, Etc.: Baffled and Dismayed
  2. Jan Deen, Richard Schechner, Mariellen R. Sandford
  3. pp. 24-25
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  1. Letters, Etc.: A Thank You
  2. Rachel Rosenthal
  3. p. 25
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  1. Rasaesthetics
  2. Richard Schechner
  3. pp. 27-50
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  1. Rasaboxes Performer Training
  2. Michele Minnick
  3. pp. 40-42
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  1. Experience Rasaboxes
  2. Paula Murray Cole
  3. p. 45
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  1. 1931: Antonin Artaud Sees Balinese Theatre at the Paris Colonial Exposition
  2. Nicola Savarese, Richard Fowler
  3. pp. 51-77
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  1. "God Is a Talking Horse": Dementia and the Performance of Self
  2. Anne Davis Basting
  3. pp. 78-94
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  1. Desktop Theater: Keyboard Catharsis and the Masking of Roundheads
  2. Adriene Jenik
  3. pp. 95-112
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  1. TheatreWorks' Desdemona : Fusing Technology and Tradition
  2. Helena Grehan
  3. pp. 113-125
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  1. On Desdemona: In Response
  2. Ong Keng Sen
  3. p. 118
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  1. Encounters
  2. Ong Keng Sen
  3. pp. 126-133
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  1. Zaju and Kabuki in English: Directing in the Classical Styles
  2. Grant Guangren Shen
  3. pp. 134-148
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  1. Rave New World: Trance-Mission, Trance-Nationalism, and Trance-scendence in the "New" South Africa
  2. Stephanie Marlin-Curiel
  3. pp. 149-168
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  1. Liminal Acts: A Critical Overview of Contemporary Performance and Theory, and: Decomposition: Post-Disciplinary Performance (review)
  2. Jane Desmond
  3. pp. 169-172
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  1. Stand-up Comedy in Theory; or, Abjection in America (review)
  2. Rick Mitchell
  3. pp. 172-174
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  1. Stigmata: Escaping Texts (review)
  2. Ann Daly
  3. pp. 174-176
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