restricted access   48, Number 4, Summer 2009

Table of Contents

Electric Homes! Automatic Movies! Efficient Entertainment!: 16mm and Cinema's Domestication in the 1920s

pp. 1-21

Contemporary Hollywood Masculinity and the Double-Protagonist Film

pp. 22-43

Reading the Title Sequence (Vorspann, Générique)

pp. 44-58

Narnia as a Site of National Struggle: Marketing, Christianity, and National Purpose in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe

pp. 59-76

The Crowd Outside the Lettered City: Imagining the Mass Audience in 1920s India

pp. 77-98

Console-ing Passions: April 24–26, 2008, University of California–Santa Barbara

pp. 99-103

In Focus: Fandom and Feminism: Gender and the Politics of Fan Production


pp. 104-107

A Fannish Taxonomy of Hotness

pp. 107-113

A Fannish Field of Value: Online Fan Gift Culture

pp. 113-118

Should Fan Fiction Be Free?

pp. 118-124

User-Penetrated Content: Fan Video in the Age of Convergence

pp. 125-130

Living in a Den of Thieves: Fan Video and Digital Challenges to Ownership

pp. 130-136

Book Reviews

Feminist Media Studies in a Postfeminist Age

pp. 137-143

Paying Attention: Feminist Film Studies in the Twenty-First Century

pp. 144-151

Annotated Index to Volume 48

Cinema Journal Annotated Index to Volume 48

pp. 152-155