48, Number 4, Summer 2009

Table of Contents

Electric Homes! Automatic Movies! Efficient Entertainment!: 16mm and Cinema's Domestication in the 1920s

pp. 1-21
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Contemporary Hollywood Masculinity and the Double-Protagonist Film

pp. 22-43
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Reading the Title Sequence (Vorspann, Générique)

pp. 44-58
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Narnia as a Site of National Struggle: Marketing, Christianity, and National Purpose in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe

pp. 59-76
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The Crowd Outside the Lettered City: Imagining the Mass Audience in 1920s India

pp. 77-98
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Console-ing Passions: April 24–26, 2008, University of California–Santa Barbara

pp. 99-103
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In Focus: Fandom and Feminism: Gender and the Politics of Fan Production

Introduction

pp. 104-107
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A Fannish Taxonomy of Hotness

pp. 107-113
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A Fannish Field of Value: Online Fan Gift Culture

pp. 113-118
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Should Fan Fiction Be Free?

pp. 118-124
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User-Penetrated Content: Fan Video in the Age of Convergence

pp. 125-130
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Living in a Den of Thieves: Fan Video and Digital Challenges to Ownership

pp. 130-136
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Book Reviews

Feminist Media Studies in a Postfeminist Age

pp. 137-143
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Paying Attention: Feminist Film Studies in the Twenty-First Century

pp. 144-151
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Annotated Index to Volume 48

Cinema Journal Annotated Index to Volume 48

pp. 152-155
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