1. Buckingham Does the Globe: Henry VIII and the Politics of Popularity in the 1620s
  2. Thomas Cogswell, Peter Lake
  3. pp. 253-278
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  1. Shakespearean Heritage and the Preposterous “Contemporary Jacobean” Film: Mike Figgis’s Hotel
  2. Pascale Aebischer
  3. pp. 279-303
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  1. Making Shakespeare’s Books: Assembly and Intertextuality in the Archives
  2. Jeffrey Todd Knight
  3. pp. 304-340
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  1. Yet Another “New” Shakespeare Image
  2. Jackson C. Boswell
  3. pp. 341-347
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  1. Shakespeare and Middleton at the RSC and in London, 2008
  2. Jeremy Lopez
  3. pp. 348-365
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  1. The Arden Shakespeare Twelfth Night, or What You Will (review)
  2. Ann C. Christensen
  3. pp. 366-369
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  1. Reading the Allegorical Intertext: Chaucer, Spenser, Shakespeare, Milton (review)
  2. Andrew Escobedo
  3. pp. 369-372
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  1. Performing Race and Torture on the Early Modern Stage, and: Barbarous Play: Race on the English Renaissance Stage (review)
  2. Ian Smith
  3. pp. 372-375
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  1. The Cultural Uses of the Caesars on the English Renaissance Stage (review)
  2. Sara Munson Deats
  3. pp. 375-378
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  1. Shakespeare and the Cultures of Performance (review)
  2. Lawrence Danson
  3. pp. 378-380
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  1. How to Do Things with Shakespeare: New Approaches, New Essays (review)
  2. Bruce Boehrer
  3. pp. 381-382
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  1. Shakespeare as Children’s Literature: Edwardian Retellings in Words and Pictures (review)
  2. Susan Allen Ford
  3. pp. 383-385
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  1. Shakespeare Films in the Making: Vision, Production and Reception (review)
  2. Courtney Lehmann
  3. pp. 385-388
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  1. From the Editor
  2. Gail Kern Paster, David Schalkwyk
  3. p. iii
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  1. Contributors
  2. pp. 389-390
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