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Table of Contents

  1. Editor's Comment
  2. Suzanne Burgoyne
  3. DOI: https://doi.org/10.1353/tt.2010.0010
  4. restricted access
  1. Between Theory[es] and Practice[s] of Acting: Dichotomies or Dialogue?
  2. Phillip B. Zarrilli
  3. pp. 111-121
  4. DOI: https://doi.org/10.1353/tt.2010.0012
  5. restricted access
  1. The Secret Life of a Theoretician
  2. Hollis Huston
  3. pp. 123-132
  4. DOI: https://doi.org/10.1353/tt.2010.0013
  5. restricted access
  1. Dragging Carcasses to the Firepit: Acting Theory, Practice, and Pedagogy
  2. Robert Cohen
  3. pp. 133-142
  4. DOI: https://doi.org/10.1353/tt.2010.0014
  5. restricted access
  1. The Death of Literature and History
  2. Richard Hornby
  3. pp. 143-150
  4. DOI: https://doi.org/10.1353/tt.2010.0015
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  1. Split Subject Technique for a Feminist Good Person: A Dramaturgical Study
  2. Linda Miles
  3. pp. 151-166
  4. DOI: https://doi.org/10.1353/tt.2010.0008
  5. restricted access
  1. The Alexander Technique, T'ai Chi Ch'uan, and Stage Combat: The Integration of Use, Somatics, and Skills in the Teaching of Stage Movement
  2. Phyllis G. Richmond, Bill Lengfelder
  3. p. 167
  4. DOI: https://doi.org/10.1353/tt.2010.0009
  5. restricted access
  1. Meyerhold's Theatrical Biomechanics: An Acting Technique for Today
  2. Jane Baldwin
  3. pp. 181-201
  4. DOI: https://doi.org/10.1353/tt.2010.0011
  5. restricted access