1. Editor's Comment
  2. Suzanne Burgoyne
  3. DOI: 10.1353/tt.2010.0079
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  1. Therapy and Actor Training
  2. Robert Barton
  3. pp. 105-118
  4. DOI: 10.1353/tt.2010.0081
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  1. An Interview with Patsy Rodenburg, Head of Voice, The Royal National Theatre of Great Britain
  2. Ellen Newman
  3. pp. 119-126
  4. DOI: 10.1353/tt.2010.0083
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  1. Current Biography: Choices and Challenges
  2. Robert A. Schanke
  3. pp. 127-134
  4. DOI: 10.1353/tt.2010.0084
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  1. Imagining Aphra: Reinventing a Female Subject
  2. Nancy Copeland
  3. pp. 135-144
  4. DOI: 10.1353/tt.2010.0076
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  1. A Fresh Slant: Rethinking Emily Dickinson with Guest Artist Stuart Sherman
  2. Ellen Donkin
  3. pp. 145-164
  4. DOI: 10.1353/tt.2010.0077
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  1. Autobiography and Difference in Performance
  2. John H. Lutterbie
  3. pp. 165-178
  4. DOI: 10.1353/tt.2010.0078
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  1. Faustus Cage[d]: A Postmodern Approach to the Scenography for Marlowe's A Tragical History of Doctor Faustus
  2. Steven T. Sarratore
  3. pp. 179-188
  4. DOI: 10.1353/tt.2010.0080
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