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  Volume 3, Number 1, March 1993

Table of Contents

Editor's Comment

DOI: 10.1353/tt.2010.0037

Production Dramaturgy as the Core of the Liberal Arts Theatre Program

pp. 1-5 | DOI: 10.1353/tt.2010.0043

Theatres of the Female Body: Gender Essentialism and Deconstruction in the Age of Mechanical Reproduction

pp. 7-20 | DOI: 10.1353/tt.2010.0050

Interview with Alan Ayckbourn London, 30 August 1991

pp. 21-28 | DOI: 10.1353/tt.2010.0057

Informing the New Dramaturgy: Critical Theory to Creative Process

pp. 29-42 | DOI: 10.1353/tt.2010.0065

A Kind of Courage: King Lear at the Old Vic, London, 1940

pp. 45-55 | DOI: 10.1353/tt.2010.0024

Economic Challenges for the Fourth Generation University Theatre

pp. 57-68 | DOI: 10.1353/tt.2010.0034

Shifting Positionalities: Interrogating Cultural Pluralism

pp. 71-74 | DOI: 10.1353/tt.2010.0040

By/passing Identity: A Response to Women and Theatre 1992

pp. 75-80 | DOI: 10.1353/tt.2010.0046

Interrogating Cultural Representation

pp. 81-83 | DOI: 10.1353/tt.2010.0054

"Shifting Positionalities: Interrogating Cultural Pluralism": A Playwright's Response

pp. 85-88 | DOI: 10.1353/tt.2010.0061

A Director's Response to Cultural Pluralism

pp. 89-93 | DOI: 10.1353/tt.2010.0021

Shifting Interrogations: A Feminist Interplay

pp. 95-100 | DOI: 10.1353/tt.2010.0030

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