1. Editor's Comment
  2. Beverley Byers-Pevitts
  3. DOI: 10.1353/tt.2010.0037
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  1. Production Dramaturgy as the Core of the Liberal Arts Theatre Program
  2. Lila Wolff-Wilkinson
  3. pp. 1-5
  4. DOI: 10.1353/tt.2010.0043
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  1. Theatres of the Female Body: Gender Essentialism and Deconstruction in the Age of Mechanical Reproduction
  2. Dianne Hunter
  3. pp. 7-20
  4. DOI: 10.1353/tt.2010.0050
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  1. Interview with Alan Ayckbourn London, 30 August 1991
  2. Gerhard Schulte
  3. pp. 21-28
  4. DOI: 10.1353/tt.2010.0057
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  1. Informing the New Dramaturgy: Critical Theory to Creative Process
  2. Paul C. Castagno
  3. pp. 29-42
  4. DOI: 10.1353/tt.2010.0065
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  1. A Kind of Courage: King Lear at the Old Vic, London, 1940
  2. William W. French
  3. pp. 45-55
  4. DOI: 10.1353/tt.2010.0024
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  1. Economic Challenges for the Fourth Generation University Theatre
  2. Kent Neely
  3. pp. 57-68
  4. DOI: 10.1353/tt.2010.0034
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  1. Shifting Positionalities: Interrogating Cultural Pluralism
  2. Juli Burk
  3. pp. 71-74
  4. DOI: 10.1353/tt.2010.0040
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  1. By/passing Identity: A Response to Women and Theatre 1992
  2. Amy Robinson
  3. pp. 75-80
  4. DOI: 10.1353/tt.2010.0046
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  1. Interrogating Cultural Representation
  2. Patricia R. Schroeder
  3. pp. 81-83
  4. DOI: 10.1353/tt.2010.0054
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  1. "Shifting Positionalities: Interrogating Cultural Pluralism": A Playwright's Response
  2. Valetta Anderson
  3. pp. 85-88
  4. DOI: 10.1353/tt.2010.0061
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  1. A Director's Response to Cultural Pluralism
  2. Tori Haring-Smith
  3. pp. 89-93
  4. DOI: 10.1353/tt.2010.0021
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  1. Shifting Interrogations: A Feminist Interplay
  2. Kate Davy
  3. pp. 95-100
  4. DOI: 10.1353/tt.2010.0030
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