1. Editor's Comment
  2. Beverley Byers-Pevitts
  3. DOI: 10.1353/tt.2010.0018
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  1. The Ph.D. in Theatre
  2. Attilio Favorini
  3. pp. 1-6
  4. DOI: 10.1353/tt.2010.0027
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  1. Changing the Text
  2. Kenneth Robbins
  3. pp. 7-11
  4. DOI: 10.1353/tt.2010.0036
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  1. Liberating the Young Actor: Feminist Pedagogy and Performance
  2. Rhonda Blair
  3. pp. 13-23
  4. DOI: 10.1353/tt.2010.0042
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  1. Directing as Analysis of Situation
  2. Richard Trousdell
  3. pp. 25-39
  4. DOI: 10.1353/tt.2010.0049
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  1. Peeling Away the Tropes of Visibility: Lesbian Sexuality and Materialist Performance Practice
  2. Jill Dolan
  3. pp. 41-50
  4. DOI: 10.1353/tt.2010.0056
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  1. Two Aspects of the Director's Creative Thinking: Extrapolation and Perceptual Intuition
  2. Tom Mitchell
  3. pp. 51-62
  4. DOI: 10.1353/tt.2010.0064
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  1. Joint Stock: From Colorless Company to Company of Color
  2. Joyce Devlin
  3. pp. 63-76
  4. DOI: 10.1353/tt.2010.0023
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  1. Bergman at B.A.M.: A Perspective of Stage Space
  2. Eric Hagen
  3. pp. 77-85
  4. DOI: 10.1353/tt.2010.0033
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