1. From the Editor
  2. pp. 2-78
  3. restricted access View Summary | Download |
  1. The Disappearing Furniture in Maupassant's "Qui Sait?" and The Spoils of Poynton
  2. Adeline R. Tintner
  3. pp. 3-7
  4. restricted access View Summary | Download |
  1. The Right Way With Reality: James's "The Real Right Thing"
  2. J. P. Telotte
  3. pp. 8-14
  4. restricted access View Summary | Download |
  1. Counting the Costs: The Infirmity of Art and The Golden Bowl
  2. Mark Reynolds
  3. pp. 15-26
  4. restricted access View Summary | Download |
  1. The Archaeology of Ancient Rome: Sexual Metaphor in "The Beast in the Jungle"
  2. James Ellis
  3. pp. 27-31
  4. restricted access View Summary | Download |
  1. James and Conrad: The Psychological Premises
  2. Daniel J. Schneider
  3. pp. 32-38
  4. restricted access View Summary | Download |
  1. Reflections on Holland in the Works of Henry James
  2. Enny de Boer Eshuis
  3. pp. 39-45
  4. restricted access View Summary | Download |
  1. Psychology, Memory, and Autobiography: William and Henry James
  2. James Olney
  3. pp. 46-51
  4. restricted access View Summary | Download |
  1. Porpoise-iveness Without Porpoise: Why Nabokov Called James a Fish
  2. Robert Gregory
  3. pp. 52-59
  4. restricted access View Summary | Download |
  1. The Expense of Vision: Essays on the Craft of Henry James (review)
  2. Evan Carton
  3. pp. 60-62
  4. restricted access View Summary | Download |
  1. American Realism: New Essays (review)
  2. Stuart K. Culver
  3. pp. 63-65
  4. restricted access View Summary | Download |
  1. F. O. Matthiessen: Christian Socialist as Critic (review)
  2. Joseph Kronick
  3. pp. 66-68
  4. restricted access View Summary | Download |
  1. A Unified Sensibility: A Study of Henry James's The Ambassadors and Its Scenario (review)
  2. James W. Gargano
  3. pp. 69-70
  4. restricted access View Summary | Download |
  1. Correspondence
  2. Susan Carlson
  3. pp. 71-74
  4. restricted access View Summary | Download |
  1. Dramatizing James: The Bostonians as a Film
  2. Robert Emmet Long
  3. pp. 75-77
  4. restricted access View Summary | Download |