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Table of Contents

  1. Bram Stoker, Geneviève Ward and The Lady of the Shroud: Gothic Weddings and Performing Vampires
  2. Catherine Wynne
  3. pp. 251-271
  4. DOI: https://doi.org/10.2487/GQ61-3581-6361-6062
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  1. Rupert Brooke's Celebrity Aesthetic
  2. Peter Howarth
  3. pp. 272-292
  4. DOI: https://doi.org/10.2487/R244-U660-1591-W007
  5. restricted access
  1. Incest and the Trafficking of Women in Mrs. Warren's Profession: "It Runs in the Family"
  2. Petra Dierkes-Thrun
  3. pp. 293-310
  4. DOI: https://doi.org/10.2487/T175-P638-517G-7430
  5. restricted access
  1. Masculinity and Spectacle in Mew's "A White Night": Into the Cave, Not Up the River
  2. Bryn Gribben
  3. pp. 311-325
  4. DOI: https://doi.org/10.2487/K512-22U0-7613-N041
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  1. OUP's Dorian Gray
  2. Maureen Moran
  3. pp. 326-329
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  1. May Laffan Hartley
  2. Mary Lowe-Evans
  3. pp. 329-333
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  1. The New Woman & Empire
  2. Talia Schaffer
  3. pp. 333-336
  4. restricted access
  1. Female Vision
  2. Anne Witchard
  3. pp. 337-340
  4. restricted access
  1. 1901 & All That
  2. J. H. Stape
  3. pp. 340-343
  4. restricted access
  1. British Art, 1848-1914
  2. Peter Stansky
  3. pp. 343-346
  4. restricted access
  1. Modernism & Celebrity
  2. Patrick Collier
  3. pp. 346-349
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  1. The Poetry of Shell Shock
  2. Martin Bidney
  3. pp. 350-353
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  1. Playing Seriously
  2. Daphna Erdinast-Vulcan
  3. pp. 353-356
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  1. Raising the Mind Above Itself
  2. Michel W. Pharand
  3. pp. 356-359
  4. restricted access
  1. History of British Theatre
  2. J. P. Wearing
  3. pp. 359-362
  4. restricted access
  1. Conrad & Poland
  2. J. H. Stape
  3. pp. 362-365
  4. restricted access
  1. Précis Reviews
  2. Nadine Cooper
  3. pp. 366-367
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