1. Robert Louis Stevenson's "The Clockmaker" and "The Scientific Ape": Two Unpublished Fables
  2. Ralph Parfect
  3. pp. 387-400
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  1. The Clockmaker
  2. Robert Louis Stevenson
  3. pp. 397-400
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  1. The Scientific Ape
  2. Robert Louis Stevenson
  3. pp. 401-403
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  1. Bridges and Housman as Elegists: The Modern Threshold
  2. John B. Vickery
  3. pp. 404-419
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  1. Rudyard Kipling's Literary Property, International Copyright Law and The Naulahka
  2. Shafquat Towheed
  3. pp. 420-435
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  1. The Ambivalently Modern Master: Hedges Against the Modern in Meredith's The Amazing Marriage
  2. Constance Harsh
  3. pp. 436-458
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  1. Polysemous Shaw
  2. Michel W. Pharand
  3. pp. 459-462
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  1. Playboys: Production Histories
  2. J. P. Wearing
  3. pp. 462-464
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  1. Gender & the London Theatre, 1880-1920
  2. Katherine E. Kelly
  3. pp. 464-466
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  1. Victorian Transgression
  2. Michèle Mendelssohn
  3. pp. 466-468
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  1. The Politics of 19th-Century Fiction
  2. Josephine M. Guy
  3. pp. 468-472
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  1. Early Victorian Industry
  2. Daniel Siegel
  3. pp. 472-476
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  1. Conrad Casebook
  2. Martin Bock
  3. pp. 476-479
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  1. Conrad's Narratives of Difference
  2. Lorrie Clark
  3. pp. 479-482
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  1. Ford's Modernity
  2. Alistair Davies
  3. pp. 482-485
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  1. Pound & H.D.
  2. E. P. Walkiewicz
  3. pp. 485-489
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  1. James & Gender Fiction
  2. Vesna Goldsworthy
  3. pp. 489-492
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  1. Sacrifice in Modernist Fiction
  2. Katherine I. Baxter
  3. pp. 492-495
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  1. Joyce's Critics
  2. John Gordon
  3. pp. 495-499
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  1. Colonial Odysseys
  2. Gregory Castle
  3. pp. 500-503
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