1. Homosocial Relations, Masculine Embodiment, and Imperialism in Stevenson's The Ebb-Tide
  2. Guy Davidson
  3. pp. 123-141
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  1. T. Fisher Unwin's Pseudonym Library: Literary Marketing and Authorial Identity
  2. Troy J. Bassett
  3. pp. 143-160
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  1. Constructing Artist and Critic Between J. M. Whistler and Oscar Wilde: "In the best days of art there were no art-critics"
  2. Anne Bruder
  3. pp. 161-180
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  1. The Hound of the Baskervilles 100 Years After: A Review Essay
  2. Benjamin F. Fisher
  3. pp. 181-190
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  1. How Victorians Survive
  2. Sally Mitchell
  3. pp. 191-193
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  1. The New Woman & Fin-de-Siècle France
  2. Maureen Moran
  3. pp. 193-197
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  1. Biography: Vernon Lee
  2. Jessica R. Feldman
  3. pp. 197-200
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  1. Vita Sackville-West
  2. David C. MacWilliams
  3. pp. 200-203
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  1. The Medical & Literary Arts
  2. Martin Bock
  3. pp. 203-206
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  1. G. K. Chesterton Again
  2. Mark Knight
  3. pp. 210-213
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  1. Woolf & Astronomy
  2. Celia Marshik
  3. pp. 213-216
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  1. History in the Edwardian Era
  2. Richard Badenhausen
  3. pp. 216-220
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  1. Museums of Modernism
  2. Peter Firchow
  3. pp. 220-224
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  1. Shaw's Vision
  2. John A. Bertolini
  3. pp. 225-227
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  1. Essays on T. E. Lawrence
  2. Stephen E. Tabachnick
  3. pp. 227-231
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  1. Ulysses's Promise for a Post-Colonial Ireland
  2. Alyssa J. O'Brien
  3. pp. 231-235
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  1. Modernism & Ireland
  2. Greg Winston
  3. pp. 235-239
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  1. Cultural Nationalism on the Irish Stage
  2. Michel W. Pharand
  3. pp. 239-242
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  1. Précis Reviews
  2. Heidi Hanrahan
  3. pp. 242-244
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  1. Hardy: OUP's Context Series
  2. Robert Schweik
  3. pp. 206-209
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