1. Arthur Symons as Critic of the Visual Arts
  2. Susan Azar Porterfield
  3. pp. 260-274
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  1. The Master: Reclaiming Zangwill's Only Künstlerroman
  2. Lilian Falk
  3. pp. 275-296
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  1. The Revisionary Role of Gender in R. L. Stevenson's New Arabian Nights and Prince Otto: Revolution in a "Poison Bad World"
  2. Lisa Honaker
  3. pp. 297-319
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  1. A New Reading of the Anglo-Indian Women's Novel, 1880-1894: Passages to India, Passages to Womanhood
  2. Sarah Bilston
  3. pp. 320-341
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  1. Ruskin's Later Years
  2. Kristine Ottesen Garrigan
  3. pp. 342-345
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  1. New Biography on Moore
  2. Thomas C. Ware
  3. pp. 345-350
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  1. New T. E. Lawrence Biography
  2. Stephen Tabachnick
  3. pp. 350-353
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  1. Exorcising "Dorian"
  2. Stanley Weintraub
  3. pp. 353-358
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  1. Gladstone, Volume II
  2. J. O. Baylen
  3. pp. 358-360
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  1. May Sinclair: A Biography
  2. María F. Llantada Díaz
  3. pp. 360-364
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  1. Biography Today
  2. Terry Caesar
  3. pp. 364-368
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  1. Women's Writing on WW I
  2. Maureen O'Connor
  3. pp. 368-371
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  1. Women & Aestheticism
  2. Simon Featherstone
  3. pp. 371-374
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  1. Letters of Rebecca West
  2. Jim Barloon
  3. pp. 374-377
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  1. Conrad & Women
  2. Carola M. Kaplan
  3. pp. 377-381
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  1. Unmanning Conrad
  2. Philip Holden
  3. pp. 381-385
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  1. Consent for the Boer War
  2. Julie Sparks
  3. pp. 385-388
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  1. Joyce's Effects
  2. Margot Norris
  3. pp. 388-391
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  1. Joyce's Comic Portrait
  2. Brian W. Shaffer
  3. pp. 391-394
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  1. Virginia Woolf Now
  2. J. H. Stape
  3. pp. 394-396
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  1. Woolf's Essays
  2. Ian Blyth
  3. pp. 397-399
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