1. Drawings by Dug Weston
  2. pp. 132-152
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  1. Arthur Symons's 'Romantic Movement': Transitional Attitudes and the Victorian Precedent
  2. John Stokes
  3. pp. 133-150
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  1. The Criminal and the Community: Defining Tragic Structure in A Child of the Jago
  2. Richard Benvenuto
  3. pp. 153-161
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  1. Secret Imperialism: The Reader's Response to the Narrator in "The Man Who Would Be King"
  2. Tim Bascom
  3. pp. 162-173
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  1. Editing Thomas Hardy: A Review-Essay
  2. Simon Gatrell
  3. pp. 174-185
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  1. Updating W. H. Hudson's Bibliography
  2. Dennis Shrubsall
  3. pp. 186-188
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  1. The Lens of the Grotesque
  2. Stanley Weintraub
  3. pp. 191-195
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  1. Bloom's Pater
  2. Ian Small
  3. pp. 195-197
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  1. Pater as Merlin
  2. Franklin E. Court
  3. pp. 197-199
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  1. Conrad Under Critical Eyes
  2. Sanford Pinsker
  3. pp. 200-202
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  1. Rejoinder
  2. Robert C. Schweik
  3. pp. 202-205
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  1. Four on Hardy
  2. Harold Orel
  3. pp. 205-208
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  1. Hardy to Hughes: Modern English Poetry
  2. P. E. Mitchell
  3. pp. 208-211
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  1. Hardy and the Modern Novel
  2. James D. Woolf
  3. pp. 211-214
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  1. Shaw Diaries
  2. Martin Meisel
  3. pp. 215-218
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  1. Yeats and Some Contemporaries
  2. Robert Hogan
  3. pp. 218-220
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  1. Yeatsian Tradition
  2. Mary Helen Thuente
  3. pp. 220-226
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  1. Yeats and Drama
  2. Bruce Henderson
  3. pp. 226-229
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  1. Bloom's Kipling
  2. W. W. Robson
  3. pp. 230-232
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  1. Woolf and London
  2. Carolyn Williams
  3. pp. 232-235
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  1. Twayne's Galsworthy
  2. Linda Strahan
  3. pp. 235-237
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  1. Perspectives on Conrad
  2. J. H. Stape
  3. pp. 237-240
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  1. Conrad's Mythology
  2. Bruce Teets
  3. pp. 240-242
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  1. Three on James from UMI Research Press
  2. John Auchard
  3. pp. 242-249
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  1. Joyce Centennial
  2. Vicki Mahaffey
  3. pp. 249-254
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  1. Briefer Mention
  2. p. 254
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  1. Books Received
  2. p. 255
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