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In this Issue

Table of Contents

  1. Invention/Re-invention
  2. Miguel Mera
  3. pp. 1-20
  4. restricted access
  1. Playing Mozart: Biopics and the musical (re)invention of a composer
  2. Guido Heldt
  3. pp. 21-46
  4. restricted access
  1. The Visible Acousmêtre: Voice, body and space across the two versions of Donnie Darko
  2. Randolph Jordan
  3. pp. 47-70
  4. restricted access
  1. Pirates of the Mediterranean: Moroccan music video and technology
  2. Tony Langlois
  3. pp. 71-85
  4. restricted access
  1. An Interview with Nicholas Hooper
  2. Miguel Mera
  3. pp. 87-97
  4. restricted access
  1. An Interview with James Hannigan
  2. Miguel Mera
  3. pp. 99-115
  4. restricted access
  1. Lowering the Boom: Critical Studies in Film Sound (review)
  2. David Cooper
  3. pp. 117-122
  4. restricted access
  1. Hindi Film Songs and the Cinema (review)
  2. Gregory Booth
  3. pp. 123-126
  4. restricted access
  1. Music, Sound and Multimedia: From the Live to the Virtual (review)
  2. James Deaville
  3. pp. 127-135
  4. restricted access
  1. Global Soundtracks: Worlds of Film Music (review)
  2. Anna Morcom
  3. pp. 137-140
  4. restricted access
  1. Music Videos: Everything You Need to Know from the Best in the Business (review)
  2. Joey Eschrich
  3. pp. 141-148
  4. restricted access
  1. Music, Meaning and Media (review)
  2. Alexander Binns
  3. pp. 149-153
  4. restricted access
  1. Contributors to issue 3:1
  3. pp. 155-156
  4. restricted access