From: The Lion and the Unicorn

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Volume 33, Number 3, September 2009

Table of Contents

Editors’ Introduction

pp. v-vii | DOI: 10.1353/uni.0.0473

Sandra L. Beckett, Lissa Paul

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Rewriting “Little Red Riding Hood”: Victorian Fairy Tales and Mass-Visual Culture

pp. 259-281 | DOI: 10.1353/uni.0.0467

Laurence Talairach-Vielmas

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The Cinderella-Makers: Postwar Adolescent Girl Fiction as Commodity Tales

pp. 282-299 | DOI: 10.1353/uni.0.0479

Amanda K. Allen

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Stamping the Coin of Character: Elsie Dinsmore and the Power of Christian Wealth

pp. 300-323 | DOI: 10.1353/uni.0.0480

Jackie E. Stallcup

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Magritte and Cultural Capital: The Surreal World of Anthony Browne

pp. 324-348 | DOI: 10.1353/uni.0.0477

Erica Hateley

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The Critical Reader in Children’s Metafiction

pp. 349-361 | DOI: 10.1353/uni.0.0468

Joe Sutliff Sanders

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Tove Jansson and the Crossover Continuum

pp. 362-375 | DOI: 10.1353/uni.0.0472

Maija-Liisa Harju

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Lively Rigor: The 2009 Lion and the Unicorn Award for Excellence in North American Poetry

pp. 376-396 | DOI: 10.1353/uni.0.0471

Michael Heyman, Angela Sorby, Joseph T. Thomas Jr.

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Book Reviews

Crossover Fiction: Global and Historical Perspectives, and: The Crossover Novel: Contemporary Children’s Fiction and Its Adult Readership (review)

pp. 397-401 | DOI: 10.1353/uni.0.0469

Chris McGee

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Poetry’s Playground: The Culture of Contemporary American Children’s Poetry (review)

pp. 401-405 | DOI: 10.1353/uni.0.0476

David Russell

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The Modern Age: Turn-of-the-Century American Culture and the Invention of Adolescence (review)

pp. 405-409 | DOI: 10.1353/uni.0.0466

Catherine Tosenberger

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The Idea of Nature in Disney Animation (review)

pp. 409-415 | DOI: 10.1353/uni.0.0470

Zoe Jaques

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Behind the Looking Glass (review)

pp. 415-418 | DOI: 10.1353/uni.0.0475

Dorothy G. Clark

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Nancy Drew and Her Sister Sleuths: Essays on the Fiction of Girl Detectives (review)

pp. 418-422 | DOI: 10.1353/uni.0.0474

Kent Baxter

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Red Riding Hood for All Ages: A Fairy-Tale Icon in Cross-Cultural Contexts (review)

pp. 422-425 | DOI: 10.1353/uni.0.0478

Martha Hixon

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