1. Rewriting “Little Red Riding Hood”: Victorian Fairy Tales and Mass-Visual Culture
  2. Laurence Talairach-Vielmas
  3. pp. 259-281
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  1. The Cinderella-Makers: Postwar Adolescent Girl Fiction as Commodity Tales
  2. Amanda K. Allen
  3. pp. 282-299
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  1. Stamping the Coin of Character: Elsie Dinsmore and the Power of Christian Wealth
  2. Jackie E. Stallcup
  3. pp. 300-323
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  1. Magritte and Cultural Capital: The Surreal World of Anthony Browne
  2. Erica Hateley
  3. pp. 324-348
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  1. The Critical Reader in Children’s Metafiction
  2. Joe Sutliff Sanders
  3. pp. 349-361
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  1. Tove Jansson and the Crossover Continuum
  2. Maija-Liisa Harju
  3. pp. 362-375
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  1. Lively Rigor: The 2009 Lion and the Unicorn Award for Excellence in North American Poetry
  2. Michael Heyman, Angela Sorby, Joseph T. Thomas Jr.
  3. pp. 376-396
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  1. Crossover Fiction: Global and Historical Perspectives, and: The Crossover Novel: Contemporary Children’s Fiction and Its Adult Readership (review)
  2. Chris McGee
  3. pp. 397-401
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  1. Poetry’s Playground: The Culture of Contemporary American Children’s Poetry (review)
  2. David Russell
  3. pp. 401-405
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  1. The Modern Age: Turn-of-the-Century American Culture and the Invention of Adolescence (review)
  2. Catherine Tosenberger
  3. pp. 405-409
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  1. The Idea of Nature in Disney Animation (review)
  2. Zoe Jaques
  3. pp. 409-415
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  1. Behind the Looking Glass (review)
  2. Dorothy G. Clark
  3. pp. 415-418
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  1. Nancy Drew and Her Sister Sleuths: Essays on the Fiction of Girl Detectives (review)
  2. Kent Baxter
  3. pp. 418-422
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  1. Red Riding Hood for All Ages: A Fairy-Tale Icon in Cross-Cultural Contexts (review)
  2. Martha Hixon
  3. pp. 422-425
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  1. Editors’ Introduction
  2. Sandra L. Beckett, Lissa Paul
  3. pp. v-vii
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