1. The Legacy of Maria Irene Fornes: A Collection of Impressions and Exercises
  2. Caridad Svich
  3. pp. 1-32
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  1. Notes from Taxco, Mexico Workshop, 1998
  2. Brooke Berman
  3. pp. 6-7
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  1. Intar Lab, New York City, November 1984
  2. Migdalia Cruz
  3. pp. 7-14
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  1. Memory from Padua Hills Playwrights Conference, California, 1983
  2. Julie Hébert
  3. pp. 14-15
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  1. Notes from California State University at Northridge, 1989 and More
  2. Anne García-Romero
  3. pp. 15-16
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  1. Notes from Padua Hills Playwrights Conference, California, 1989 and More
  2. Jennifer Maisel
  3. pp. 17-20
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  1. Mark Taper Forum Theatre, Los Angeles, California, 1990–91
  2. Oliver Mayer
  3. pp. 20-22
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  1. Thoughts from Los Angeles, 1992 or 1993
  2. Han Ong
  3. pp. 22-23
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  1. Notes from IOWA 1993–94
  2. Lisa Schlesinger
  3. pp. 23-25
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  1. Intar Lab, New York City, 1986–87
  2. Alisa Solomon
  3. pp. 25-28
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  1. Intar Lab, New York City, 1986
  2. Alina Troyano
  3. pp. 29-30
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  1. Transmission Arts: The Air that Surrounds Us
  2. Galen Joseph-Hunter
  3. pp. 33-40
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  1. Bottled
  2. Joe Milutis
  3. pp. 41-43
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  1. Deep Cycle: The Reincarnation of Herman Meydag
  2. Max Goldfarb
  3. pp. 44-45
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  1. Transmission Art in the Present Tense
  2. Anna Friz
  3. pp. 46-49
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  1. Towards a Programmable Transmission Arts Platform
  2. Brett Ian Balogh
  3. pp. 50-52
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  1. June 3, 2123
  2. Tom Roe
  3. pp. 53-54
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  1. Instructions for Listening to Radio
  2. Alexis Bhagat
  3. pp. 55-56
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  1. Ryoanji: Solos for Oboe, Flute, Contrabass, Voice, Trombone with Percussion or Orchestral Obbligato (1983–85)
  2. John Cage
  3. pp. 57-64
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  1. Jan Fabre’s Crusade Against Shopping Culture
  2. Laurens De Vos
  3. pp. 65-73
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  1. American Voices: Robert Ashley and New Opera
  2. Alan Lockwood
  3. pp. 74-82
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  1. Echoes of Strindberg in Contemporary Chile
  2. Miriam Felton-Dansky
  3. pp. 83-91
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  1. Are We Human, or Are We Dancer?
  2. Thom Donovan
  3. pp. 92-97
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  1. Their Hands Full of Ghosts: Goat Island at the Last
  2. Joe Kelleher
  3. pp. 98-107
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  1. Staging the Image: Video in Contemporary Performance
  2. Patricia Milder
  3. pp. 108-119
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