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Table of Contents

  1. Solitude, Violation, Alterity: Rulfo’s Wastelands
  2. Jason Kemp Winfree
  3. pp. 8-21
  4. DOI: https://doi.org/10.1353/sub.0.0049
  5. restricted access
  1. Self-Translation as Minorization Process: Nancy Huston’s Limbes/Limbo
  2. Ioanna Chatzidimitriou
  3. pp. 22-42
  4. DOI: https://doi.org/10.1353/sub.0.0050
  5. restricted access
  1. Aggregators: RSS (Radically Subversive Syndication) Poetics
  2. Sophie Mayer
  3. pp. 43-62
  4. DOI: https://doi.org/10.1353/sub.0.0047
  5. restricted access
  1. How to Look Death in the Eyes: Freud and Bataille
  2. Liran Razinsky
  3. pp. 63-88
  4. DOI: https://doi.org/10.1353/sub.0.0046
  5. restricted access
  1. Paris à l’improviste: Jacques Réda, Jazz, and Sub-Urban Beauty
  2. Eric Prieto
  3. pp. 89-112
  4. DOI: https://doi.org/10.1353/sub.0.0041
  5. restricted access
  1. For the Record: Robert Desnos, Music, and Wartime Memory
  2. Charles Nunley
  3. pp. 113-135
  4. DOI: https://doi.org/10.1353/sub.0.0040
  5. restricted access
  1. The On-tology of Beckett’s Nohow On
  2. Peter Poiana
  3. pp. 136-153
  4. DOI: https://doi.org/10.1353/sub.0.0044
  5. restricted access
  1. French Writers and the Politics of Complicity (review)
  2. Andrew Sobanet
  3. pp. 154-159
  4. DOI: https://doi.org/10.1353/sub.0.0042
  5. restricted access
  1. Les Amoureux de Schéhérazade: Variations modernes sur les Mille et Une Nuits (review)
  2. Alison James
  3. pp. 160-163
  4. DOI: https://doi.org/10.1353/sub.0.0043
  5. restricted access
  1. Imperialism and the Corruption of Democracies (review)
  2. Ralph Schoolcraft III
  3. pp. 164-170
  4. DOI: https://doi.org/10.1353/sub.0.0048
  5. restricted access
  1. Close Reading: A Preface
  2. The Editors, SubStance
  3. pp. 3-7
  4. DOI: https://doi.org/10.1353/sub.0.0051
  5. restricted access
  1. Contributors
  3. pp. 171-172
  4. DOI: https://doi.org/10.1353/sub.0.0045
  5. restricted access