1. Theatrical Space and Scientific Space in Thomas Shadwell’s Virtuoso
  2. John Shanahan
  3. pp. 549-571
  4. DOI: 10.1353/sel.0.0066
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  1. Harlequin, the Whigs, and William Mountfort’s Doctor Faustus
  2. Judy A. Hayden
  3. pp. 573-593
  4. DOI: 10.1353/sel.0.0062
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  1. Boadicea Onstage before 1800, a Theatrical and Colonial History
  2. Wendy C. Nielsen
  3. pp. 595-614
  4. DOI: 10.1353/sel.0.0065
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  1. After Design: Joseph Addison Discovers Beauties
  2. Michelle Syba
  3. pp. 615-635
  4. DOI: 10.1353/sel.0.0068
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  1. What Not to Avoid in Swift’s “The Lady’s Dressing Room”
  2. Laura Baudot
  3. pp. 637-666
  4. DOI: 10.1353/sel.0.0069
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  1. Hamlet and Horace Walpole’s The Castle of Otranto
  2. Robert B. Hamm Jr.
  3. pp. 667-692
  4. DOI: 10.1353/sel.0.0063
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  1. Dean Mahomet’s Travels, Border Crossings, and the Narrative of Alterity
  2. Mona Narain
  3. pp. 693-716
  4. DOI: 10.1353/sel.0.0070
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  1. Commerce, Luxury, and Identity in Mary Robinson’s Memoirs
  2. Diego Saglia
  3. pp. 717-736
  4. DOI: 10.1353/sel.0.0067
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  1. Recent Studies in the Restoration and Eighteenth Century
  2. Paula R. Backscheider
  3. pp. 737-801
  4. DOI: 10.1353/sel.0.0064
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