1. Guest Editor's Introduction
  2. Leslie Pincus
  3. pp. 1-6
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Articles

  1. Sumptuous Re-past: The 1964 Tokyo Olympics Arts Festival
  2. Noriko Aso
  3. pp. 7-38
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  1. The Postwar Documentary Trace: Groping in the Dark
  2. Markus Nornes
  3. pp. 39-78
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  1. Competing Publics: Citizens' Groups, Mass Media, and the State in the 1960s
  2. Wesley Makoto Sasaki-Uemura
  3. pp. 79-110
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  1. The Politics of Loss: On Eto Jun
  2. Ann Sherif
  3. pp. 111-139
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  1. State v. (Anti-)Art: Model 1,000-Yen Note Incident by Akasegawa Genpei and Company
  2. Reiko Tomii
  3. pp. 141-172
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  1. A Salon for the Soul: Nakai Masakazu and the Hiroshima Culture Movement
  2. Leslie Pincus
  3. pp. 173-194
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  1. The Unfinished Business of Mourning: Maruyama Masao and Postwar Japanese Struggles with the Wartime Past
  2. Yoshikuni Igarashi
  3. pp. 195-218
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Commentary

  1. Politics, Culture, and the Public Sphere
  2. Geoff Eley
  3. pp. 219-236
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  1. Contributors
  2. pp. 237-238
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