1. Dada Photomontage and net.art Sitemaps
  2. George L. Dillon
  3. DOI: 10.1353/pmc.2000.0010
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  1. Flickering Connectivities in Shelley Jackson's Patchwork Girl : The Importance of Media-Specific Analysis
  2. N. Katherine Hayles
  3. DOI: 10.1353/pmc.2000.0011
  4. restricted access View |
  1. Stop Making Sense: Fuck 'em and Their Law (... It's Only I and O but I Like It...)
  2. Bernd Herzogenrath
  3. DOI: 10.1353/pmc.2000.0012
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  1. Stuplimity: Shock and Boredom in Twentieth-Century Aesthetics
  2. Sianne Ngai
  3. DOI: 10.1353/pmc.2000.0013
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  1. Otherness.
  2. Tamise Van Pelt
  3. DOI: 10.1353/pmc.2000.0014
  4. restricted access View |
  1. The Critical Idiom of Postmodernity and Its Contributions to an Understanding of Complexity
  2. Matthew Abraham
  3. DOI: 10.1353/pmc.2000.0001
  4. restricted access View |
  1. Veiled and Revealed
  2. Nezih Erdogan
  3. DOI: 10.1353/pmc.2000.0002
  4. restricted access View |
  1. Brecht Our (Post-) Contemporary
  2. Steven Helmling
  3. DOI: 10.1353/pmc.2000.0003
  4. restricted access View |
  1. The Truth About Pina Bausch: Nature and Fantasy in Carnations
  2. Lynn Houston
  3. DOI: 10.1353/pmc.2000.0004
  4. restricted access View |
  1. Near Collisions: Rhetorical Cultural Studies or a Cultural Rhetorical Studies?
  2. Brad Lucas
  3. DOI: 10.1353/pmc.2000.0005
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  1. Grotesque Caricature: Stanley Kubrick's Eyes Wide Shut as the Allegory of Its Own Reception
  2. Stefan Mattessich
  3. DOI: 10.1353/pmc.2000.0006
  4. restricted access View |
  1. Past, Present and Future: New Historicism versus Cultural Materialism
  2. Jürgen Pieters
  3. DOI: 10.1353/pmc.2000.0007
  4. restricted access View |
  1. Utopian Ironies
  2. David Schuermer
  3. DOI: 10.1353/pmc.2000.0008
  4. restricted access View |
  1. Otherness.
  2. Tamise Van Pelt
  3. DOI: 10.1353/pmc.2000.0009
  4. restricted access View |
  1. Notices
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  1. Notes on Contributors
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