1. Ersatz Truths: Variations on the Faux Documentary
  2. Edward Brunner
  3. DOI: 10.1353/pmc.1998.0001
  4. restricted access View |
  1. The Art and Artiface of Peter Greenaway
  2. Anthony Enns
  3. DOI: 10.1353/pmc.1998.0002
  4. restricted access View |
  1. Peripheral Visions
  2. M Klaver, R Rickey, L Howell
  3. DOI: 10.1353/pmc.1998.0004
  4. restricted access View |
  1. Looking Forward to Godard
  2. Hassan Melehy
  3. DOI: 10.1353/pmc.1998.0005
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  1. The Grim Fascination of an Uncomfortable Legacy
  2. Mark Welch
  3. DOI: 10.1353/pmc.1998.0006
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  1. (Global) Sense and (Local) Sensibility: Poetics/Politics of Reading Film as (Auto)Ethnography
  2. Benzi Zhang
  3. DOI: 10.1353/pmc.1998.0007
  4. restricted access View |
  1. Digital Archives and Sibyline Fragments: The Tempest and the End of Books
  2. Peter Samuel Donaldson
  3. DOI: 10.1353/pmc.1998.0008
  4. restricted access View |
  1. An Exchange: Richard Crew and Arkady Plotnitsky
  2. Arkady Plotnitsky, Richard Crew
  3. DOI: 10.1353/pmc.1998.0010
  4. restricted access View |
  1. Selected Letters from Readers
  2. Caroline Honig, Michael Joyce
  3. DOI: 10.1353/pmc.1998.0011
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  1. Simultaneity and Overlap in Stanley Kubrik's The Killing
  2. Stephen Mamber
  3. DOI: 10.1353/pmc.1998.0012
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  1. Transnational Cinema, Hybrid Identities and the Films of Evans Chan
  2. Gina Marchetti
  3. DOI: 10.1353/pmc.1998.0013
  4. restricted access View |
  1. Singin' In the Rain: A Hypertextual Reading
  2. Adrian Miles
  3. DOI: 10.1353/pmc.1998.0014
  4. restricted access View |
  1. Notices (Announcements and Advertisements)
  2. DOI: 10.1353/pmc.1998.0015
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  1. Casablanca's Régime: The Shifting Aesthetics of Political Technologies (1907-1943)
  2. Jorge Otero-Pailos
  3. DOI: 10.1353/pmc.1998.0016
  4. restricted access View |
  1. The Madness of Images and Thinking Cinema
  2. William D. Routt
  3. DOI: 10.1353/pmc.1998.0017
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  1. Presenting the Cyborg's Futurist Past: An Analysis of Dziga Vertov's Kino-Eye
  2. Joseph Schaub
  3. DOI: 10.1353/pmc.1998.0018
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  1. Editor's Introduction
  2. Robert Phillip Kolker
  3. DOI: 10.1353/pmc.1998.0009
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