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  Volume 26, Number 1, April 2002

Table of Contents

From: Philosophy and Literature

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War of the Worldviews

pp. iii-iv | DOI: 10.1353/phl.2002.0008


Nietzsche, Proust, and Will-To-Ignorance

pp. 1-23 | DOI: 10.1353/phl.2002.0015

Emmanuel Levinas and Iris Murdoch: Ethics as Exit?

pp. 24-42 | DOI: 10.1353/phl.2002.0001

Jack London's Medusa of Truth

pp. 43-56 | DOI: 10.1353/phl.2002.0016

An American Novelist in the Philosopher King's Court

pp. 57-74 | DOI: 10.1353/phl.2002.0005

Dramatic Prefiguration in Plato's Republic

pp. 75-83 | DOI: 10.1353/phl.2002.0017

Irony in the Platonic Dialogues

pp. 84-106 | DOI: 10.1353/phl.2002.0012

Shakespeare and Political Philosophy

pp. 107-124 | DOI: 10.1353/phl.2002.0004

Holderlin's Music of Poetic Self-Consciousness

pp. 125-142 | DOI: 10.1353/phl.2002.0007

The Vicious Habits of Entirely Fictive People: Hume on the Moral Evaluation of Art

pp. 143-156 | DOI: 10.1353/phl.2002.0006

Symposium: On Ken Burns's Jazz

Jazz: America's Classical Music?

pp. 157-172 | DOI: 10.1353/phl.2002.0002

Jazz After Jazz : Ken Burns and the Construction of Jazz History

pp. 173-187 | DOI: 10.1353/phl.2002.0011

On Representing Jazz: An Art Form in Need of Understanding

pp. 188-198 | DOI: 10.1353/phl.2002.0013

Notes and Fragments

Friendship and Yasmina Reza's Art

pp. 199-206 | DOI: 10.1353/phl.2002.0003

Poetics of Sentimentality

pp. 207-215 | DOI: 10.1353/phl.2002.0010

Genre Fiction and "The Origin of The Work of Art"

pp. 216-223 | DOI: 10.1353/phl.2002.0014


A Hanging Judge

pp. 224-238 | DOI: 10.1353/phl.2002.0009

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