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  Volume 21, Number 2, October 1997

Table of Contents

From: Philosophy and Literature

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Metaphor, Feeling, and Narrative

pp. 223-244
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The Death of Paradise

pp. 245-261
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The Ubiquity of Contract in The Merchant of Venice

pp. 262-278
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Wittgenstein and The Waste Land

pp. 279-291
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Narrative and Narratology in Classroom and Courtroom

pp. 292-305
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The Empiricist Looks at a Poem

pp. 306-318
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Theocraticism: The Religious Rhetoric of Academic Interpretation

pp. 319-331
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Symposium

Please Shoot the Piano Player!: The Debate Over David Helfgott

pp. 332-391
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The David Helfgott Saga

pp. 334-339
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Beethoven on Prozac

pp. 340-345
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Helfgott's Musical Offerings

pp. 346-351
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Send Off the Clowns, Bring on the Music

pp. 351-358
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The Shine Tour: What's Music Got to Do With It?

pp. 358-363
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The Helfgott Problem

pp. 363-367
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Is There A Critic In The House?

pp. 368-375
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Pianists in the Movies

pp. 376-381
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"Hot With Chutzpah"

pp. 381-391
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Notes and Fragments

Vico's Scienza Nuova and Joyce's Finnegans Wake

pp. 392-404
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Postmodern Critique: A Philosophical-Literary Dialogue

pp. 405-413
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Critical Discussions

The enlightenment's enemies

pp. 414-425
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Isaiah Berlin as anti-rationalist

pp. 426-432
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Review Essay: Fictional Points of View

pp. 433-443
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Practicing what you preach

pp. 444-454
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Theory, antitheory, and countertheory

pp. 455-465
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Tantrums and epiphanies

pp. 466-475
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Book Reviews

Myths of Modern Individualism (review)

pp. 476-479
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Rumors of Change: Essays of Five Decades (review)

pp. 479-481
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Giving Offense: Essays on Censorship (review)

pp. 482-484
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Why Does Tragedy Give Pleasure? (review)

pp. 484-486
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Sacrificing Commentary: Reading the End of Literature (review)

pp. 487-489
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Wittgenstein's Ladder: Poetic Language and the Strangeness of the Ordinary (review)

pp. 489-491
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Post-Theory: Reconstructing Film Studies (review)

pp. 492-494
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Culture/Contexture: Explorations in Anthropology and Literary Studies (review)

pp. 495-497
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Omens of the Millennium: The Gnosis of Angels, Dreams, and Resurrection (review)

pp. 497-499
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Bookmarks

Writing Good, Bad, and Classic

pp. 500-511
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Research Areas

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