1. Metaphor, Feeling, and Narrative
  2. Ted Cohen
  3. pp. 223-244
  4. DOI: 10.1353/phl.1997.0037
  5. restricted access View |
  1. The Death of Paradise
  2. Michael Wood
  3. pp. 245-261
  4. DOI: 10.1353/phl.1997.0038
  5. restricted access View |
  1. The Ubiquity of Contract in The Merchant of Venice
  2. Samuel Ajzenstat
  3. pp. 262-278
  4. DOI: 10.1353/phl.1997.0026
  5. restricted access View |
  1. Wittgenstein and The Waste Land
  2. Mark Erwin
  3. pp. 279-291
  4. DOI: 10.1353/phl.1997.0048
  5. restricted access View |
  1. Narrative and Narratology in Classroom and Courtroom
  2. Richard A. Posner
  3. pp. 292-305
  4. DOI: 10.1353/phl.1997.0057
  5. restricted access View |
  1. The Empiricist Looks at a Poem
  2. Gene Fendt
  3. pp. 306-318
  4. DOI: 10.1353/phl.1997.0049
  5. restricted access View |
  1. Theocraticism: The Religious Rhetoric of Academic Interpretation
  2. Roger Seamon
  3. pp. 319-331
  4. DOI: 10.1353/phl.1997.0058
  5. restricted access View |
  1. Please Shoot the Piano Player!: The Debate Over David Helfgott
  2. Denis Dutton
  3. pp. 332-391
  4. DOI: 10.1353/phl.1997.0039
  5. restricted access View |
  1. The David Helfgott Saga
  2. Peter Feuchtwanger
  3. pp. 334-339
  4. DOI: 10.1353/phl.1997.0051
  5. restricted access View |
  1. Beethoven on Prozac
  2. Denis Dutton
  3. pp. 340-345
  4. DOI: 10.1353/phl.1997.0040
  5. restricted access View |
  1. Helfgott's Musical Offerings
  2. Renee Cox Lorraine
  3. pp. 346-351
  4. DOI: 10.1353/phl.1997.0056
  5. restricted access View |
  1. Send Off the Clowns, Bring on the Music
  2. Elizabeth Silsbury
  3. pp. 351-358
  4. DOI: 10.1353/phl.1997.0059
  5. restricted access View |
  1. The Shine Tour: What's Music Got to Do With It?
  2. Patricia Susan Herzog
  3. pp. 358-363
  4. DOI: 10.1353/phl.1997.0053
  5. restricted access View |
  1. The Helfgott Problem
  2. Jennifer Judkins
  3. pp. 363-367
  4. DOI: 10.1353/phl.1997.0054
  5. restricted access View |
  1. Is There A Critic In The House?
  2. Stan Godlovitch
  3. pp. 368-375
  4. DOI: 10.1353/phl.1997.0052
  5. restricted access View |
  1. Pianists in the Movies
  2. Flora Leibowitz
  3. pp. 376-381
  4. DOI: 10.1353/phl.1997.0055
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  1. "Hot With Chutzpah"
  2. Kevin Bazzana
  3. pp. 381-391
  4. DOI: 10.1353/phl.1997.0027
  5. restricted access View |
  1. Vico's Scienza Nuova and Joyce's Finnegans Wake
  2. Donald Phillip Verene
  3. pp. 392-404
  4. DOI: 10.1353/phl.1997.0060
  5. restricted access View |
  1. Postmodern Critique: A Philosophical-Literary Dialogue
  2. Horace L. Fairlamb
  3. pp. 405-413
  4. DOI: 10.1353/phl.1997.0050
  5. restricted access View |
  1. The enlightenment's enemies
  2. Alfred Louch
  3. pp. 414-425
  4. DOI: 10.1353/phl.1997.0043
  5. restricted access View |
  1. Isaiah Berlin as anti-rationalist
  2. Simon Upton
  3. pp. 426-432
  4. DOI: 10.1353/phl.1997.0044
  5. restricted access View |
  1. Review Essay: Fictional Points of View
  2. Deborah Knight
  3. pp. 433-443
  4. DOI: 10.1353/phl.1997.0047
  5. restricted access View |
  1. Practicing what you preach
  2. Ronald Shusterman
  3. pp. 444-454
  4. DOI: 10.1353/phl.1997.0045
  5. restricted access View |
  1. Theory, antitheory, and countertheory
  2. David Gorman
  3. pp. 455-465
  4. DOI: 10.1353/phl.1997.0046
  5. restricted access View |
  1. Tantrums and epiphanies
  2. John E. MacKinnon
  3. pp. 466-475
  4. DOI: 10.1353/phl.1997.0042
  5. restricted access View |
  1. Myths of Modern Individualism (review)
  2. Walter E. Broman
  3. pp. 476-479
  4. DOI: 10.1353/phl.1997.0036
  5. restricted access View |
  1. Rumors of Change: Essays of Five Decades (review)
  2. Paul M. Hedeen
  3. pp. 479-481
  4. DOI: 10.1353/phl.1997.0033
  5. restricted access View |
  1. Giving Offense: Essays on Censorship (review)
  2. David Novitz
  3. pp. 482-484
  4. DOI: 10.1353/phl.1997.0030
  5. restricted access View |
  1. Why Does Tragedy Give Pleasure? (review)
  2. H. L. Hix
  3. pp. 484-486
  4. DOI: 10.1353/phl.1997.0034
  5. restricted access View |
  1. Sacrificing Commentary: Reading the End of Literature (review)
  2. Tobin Siebers
  3. pp. 487-489
  4. DOI: 10.1353/phl.1997.0032
  5. restricted access View |
  1. Wittgenstein's Ladder: Poetic Language and the Strangeness of the Ordinary (review)
  2. Michael Fischer
  3. pp. 489-491
  4. DOI: 10.1353/phl.1997.0035
  5. restricted access View |
  1. Post-Theory: Reconstructing Film Studies (review)
  2. Evan W. Cameron
  3. pp. 492-494
  4. DOI: 10.1353/phl.1997.0029
  5. restricted access View |
  1. Culture/Contexture: Explorations in Anthropology and Literary Studies (review)
  2. Roger Sandall
  3. pp. 495-497
  4. DOI: 10.1353/phl.1997.0031
  5. restricted access View |
  1. Omens of the Millennium: The Gnosis of Angels, Dreams, and Resurrection (review)
  2. Eric Jozef Ziolkowski
  3. pp. 497-499
  4. DOI: 10.1353/phl.1997.0028
  5. restricted access View |
  1. Writing Good, Bad, and Classic
  2. Denis Dutton
  3. pp. 500-511
  4. DOI: 10.1353/phl.1997.0041
  5. restricted access View |