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In this Issue

Table of Contents

  1. Notes for NOTES
  2. pp. 38-44
  3. DOI: https://doi.org/10.1353/not.2002.0134
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  1. Books Recently Published
  2. Stephen Yusko, Karen R. Little
  3. pp. 101-124
  4. DOI: https://doi.org/10.1353/not.2002.0151
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  1. New Periodicals
  2. Margaret D. Ericson
  3. pp. 125-127
  4. DOI: https://doi.org/10.1353/not.2002.0120
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  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 150-157
  4. DOI: https://doi.org/10.1353/not.2002.0125
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  1. Music Received
  2. David Knapp
  3. pp. 177-188
  4. DOI: https://doi.org/10.1353/not.2002.0128
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Articles

  1. The Origins of the Music Collections in the University of Toronto Library: A Tale of Two Scores
  2. Kathleen McMorrow
  3. pp. 9-19
  4. DOI: https://doi.org/10.1353/not.2002.0132
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  1. "Un Cabinet de Musique"--The Library of an Eighteenth-Century Musician
  2. Albert Cohen
  3. pp. 20-37
  4. DOI: https://doi.org/10.1353/not.2002.0114
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Book Reviews
Edited by David Gilbert

Reference Books

  1. The New Grove Dictionary of Jazz (review)
  2. Gordon Theil
  3. pp. 45-48
  4. DOI: https://doi.org/10.1353/not.2002.0137
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  1. Musical Memorials for Musicians: A Guide to Selected Compositions (review)
  2. George Boziwick
  3. pp. 48-49
  4. DOI: https://doi.org/10.1353/not.2002.0110
  5. restricted access
  1. Private Music Collections: Catalogs and Cognate Literature (review)
  2. Lenore Coral
  3. pp. 49-51
  4. DOI: https://doi.org/10.1353/not.2002.0115
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  1. Music Since 1900 (review)
  2. D. J. Hoek
  3. pp. 51-53
  4. DOI: https://doi.org/10.1353/not.2002.0126
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Music Since 1900

  1. Making Music Modern: New York in the 1920s (review)
  2. Elizabeth Bergman Crist
  3. pp. 54-55
  4. DOI: https://doi.org/10.1353/not.2002.0117
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  1. Faure and French Musical Aesthetics (review)
  2. Anthony Gritten
  3. pp. 55-57
  4. DOI: https://doi.org/10.1353/not.2002.0124
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  1. La vie musicale sous Vichy (review)
  2. Michael Creasman Strasser
  3. pp. 57-59
  4. DOI: https://doi.org/10.1353/not.2002.0146
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  1. The Music of Toru Takemitsu, and: Toru Takemitsu: A Bio-Bibliography (review)
  2. Steven Nuss
  3. pp. 59-61
  4. DOI: https://doi.org/10.1353/not.2002.0138
  5. restricted access
  1. Elliott Carter ou le temps fertile (review)
  2. Jean-Michel Boulay
  3. pp. 61-64
  4. DOI: https://doi.org/10.1353/not.2002.0111
  5. restricted access

Genre Studies

  1. Virtual Music: Computer Synthesis of Musical Style (review)
  2. Mark Polishook
  3. pp. 64-65
  4. DOI: https://doi.org/10.1353/not.2002.0141
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  1. Songs in the Key of Z: The Curious Universe of Outsider Music (review)
  2. Barbara White
  3. pp. 66-67
  4. DOI: https://doi.org/10.1353/not.2002.0148
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  1. The Sounds of Early Cinema (review)
  2. Daniel Goldmark
  3. pp. 67-69
  4. DOI: https://doi.org/10.1353/not.2002.0123
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  1. Bernard Herrmann's Vertigo: A Film Score Handbook (review)
  2. Robert Kosovsky
  3. pp. 69-71
  4. DOI: https://doi.org/10.1353/not.2002.0129
  5. restricted access
  1. Ballet and Opera in the Age of Giselle (review)
  2. David A. Day
  3. pp. 72-73
  4. DOI: https://doi.org/10.1353/not.2002.0119
  5. restricted access
  1. Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment (review)
  2. Andrew Willis
  3. pp. 73-74
  4. DOI: https://doi.org/10.1353/not.2002.0149
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National Musics

  1. A History of Russian Music: From Kamarinskaya to Babi Yar (review)
  2. Ellon D. Carpenter
  3. pp. 74-77
  4. DOI: https://doi.org/10.1353/not.2002.0113
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  1. German Opera: From the Beginnings to Wagner (review)
  2. James L. Zychowicz
  3. pp. 77-79
  4. DOI: https://doi.org/10.1353/not.2002.0147
  5. restricted access
  1. Music and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich (review)
  2. Charles Edward McGuire
  3. pp. 82-83
  4. DOI: https://doi.org/10.1353/not.2002.0131
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  1. Covent Garden, the Untold Story: Dispatches from the English Culture War, 1945-2000 (review)
  2. Nathaniel G. Lew
  3. pp. 83-85
  4. DOI: https://doi.org/10.1353/not.2002.0130
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  1. From Psalm to Symphony: A History of Music in New England (review)
  2. Ann L. Silverberg
  3. pp. 85-87
  4. DOI: https://doi.org/10.1353/not.2002.0144
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Letters

  1. Letters of Gerald Finzi and Howard Ferguson (review)
  2. Byron Adams
  3. pp. 87-88
  4. DOI: https://doi.org/10.1353/not.2002.0108
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  1. Edvard Grieg: Letters to Colleagues and Friends, and: Edvard Grieg: Diaries, Articles, Speeches (review)
  2. Carl John Rahkonen
  3. pp. 88-90
  4. DOI: https://doi.org/10.1353/not.2002.0142
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Diverse Topics

  1. The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical Genius (review)
  2. Robin Wallace
  3. pp. 90-93
  4. DOI: https://doi.org/10.1353/not.2002.0136
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  1. Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer (review)
  2. Leah Morrison
  3. pp. 93-94
  4. DOI: https://doi.org/10.1353/not.2002.0133
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  1. Early Keyboard Instruments: A Practical Guide (review)
  2. Tom Beghin
  3. pp. 94-97
  4. DOI: https://doi.org/10.1353/not.2002.0109
  5. restricted access
  1. The Cognition of Basic Musical Structures (review)
  2. Arnie Cox
  3. pp. 97-99
  4. DOI: https://doi.org/10.1353/not.2002.0116
  5. restricted access
  1. The Virtual Score: Representation, Retrieval, Restoration (review)
  2. Stephen Davison
  3. pp. 99-100
  4. DOI: https://doi.org/10.1353/not.2002.0118
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Digital Media Reviews

  1. Film Music Web Sites
  2. H. Stephen Wright
  3. pp. 128-130
  4. DOI: https://doi.org/10.1353/not.2002.0150
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  1. Five Windows into Africa (review)
  2. Kathleen J. Noss
  3. pp. 131-133
  4. DOI: https://doi.org/10.1353/not.2002.0135
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  1. D.S.C.H. Shostakovich on DVD-ROM (review)
  2. Royal S. Brown
  3. pp. 133-135
  4. DOI: https://doi.org/10.1353/not.2002.0112
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Sound Recording Reviews

  1. Pianists That Time Forgot
  2. Leslie Gerber
  3. pp. 136-145
  4. DOI: https://doi.org/10.1353/not.2002.0122
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  1. Briefly Noted
  2. Rick Anderson
  3. pp. 145-149
  4. DOI: https://doi.org/10.1353/not.2002.0107
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Music Reviews

  1. Doppelkonzert a-Moll, opus 102 (review)
  2. William P. Horne
  3. pp. 158-162
  4. DOI: https://doi.org/10.1353/not.2002.0127
  5. restricted access
  1. Liber sextus sacrarum cantionum (review)
  2. Richard Freedman
  3. pp. 162-164
  4. DOI: https://doi.org/10.1353/not.2002.0121
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  1. Messa, e salmi concertati, op. 4 (1639) (review)
  2. Massimo Michele Ossi
  3. pp. 164-165
  4. DOI: https://doi.org/10.1353/not.2002.0140
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  1. Meslanges autographes: Fac-simile du manuscrit Paris, Bibliotheque nationale, Res. Vm 1 259 (review)
  2. Lois Rosow
  3. pp. 165-169
  4. DOI: https://doi.org/10.1353/not.2002.0143
  5. restricted access