restricted access   Volume 59, Number 1, September 2002

Table of Contents

From: Notes

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Notes for NOTES

pp. 38-44

Books Recently Published

pp. 101-124

New Periodicals

pp. 125-127

Music Publishers' Catalogs

pp. 150-157

Music Received

pp. 177-188


The Origins of the Music Collections in the University of Toronto Library: A Tale of Two Scores

pp. 9-19

"Un Cabinet de Musique"--The Library of an Eighteenth-Century Musician

pp. 20-37

Book Reviews
Edited by David Gilbert

Reference Books

The New Grove Dictionary of Jazz (review)

pp. 45-48

Musical Memorials for Musicians: A Guide to Selected Compositions (review)

pp. 48-49

Private Music Collections: Catalogs and Cognate Literature (review)

pp. 49-51

Music Since 1900 (review)

pp. 51-53

Music Since 1900

Making Music Modern: New York in the 1920s (review)

pp. 54-55

Faure and French Musical Aesthetics (review)

pp. 55-57

La vie musicale sous Vichy (review)

pp. 57-59

The Music of Toru Takemitsu, and: Toru Takemitsu: A Bio-Bibliography (review)

pp. 59-61

Elliott Carter ou le temps fertile (review)

pp. 61-64

Genre Studies

Virtual Music: Computer Synthesis of Musical Style (review)

pp. 64-65

Songs in the Key of Z: The Curious Universe of Outsider Music (review)

pp. 66-67

The Sounds of Early Cinema (review)

pp. 67-69

Bernard Herrmann's Vertigo: A Film Score Handbook (review)

pp. 69-71

Ballet and Opera in the Age of Giselle (review)

pp. 72-73

Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment (review)

pp. 73-74

National Musics

A History of Russian Music: From Kamarinskaya to Babi Yar (review)

pp. 74-77

German Opera: From the Beginnings to Wagner (review)

pp. 77-79

Music of the Raj: A Social and Economic History of Music in Late Eighteenth-Century Anglo-Indian Society (review)

pp. 79-81

Music and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich (review)

pp. 82-83

Covent Garden, the Untold Story: Dispatches from the English Culture War, 1945-2000 (review)

pp. 83-85

From Psalm to Symphony: A History of Music in New England (review)

pp. 85-87


Letters of Gerald Finzi and Howard Ferguson (review)

pp. 87-88

Edvard Grieg: Letters to Colleagues and Friends, and: Edvard Grieg: Diaries, Articles, Speeches (review)

pp. 88-90

Diverse Topics

The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical Genius (review)

pp. 90-93

Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer (review)

pp. 93-94

Early Keyboard Instruments: A Practical Guide (review)

pp. 94-97

The Cognition of Basic Musical Structures (review)

pp. 97-99

The Virtual Score: Representation, Retrieval, Restoration (review)

pp. 99-100

Digital Media Reviews

Film Music Web Sites

pp. 128-130

Five Windows into Africa (review)

pp. 131-133

D.S.C.H. Shostakovich on DVD-ROM (review)

pp. 133-135

Sound Recording Reviews

Pianists That Time Forgot

pp. 136-145

Briefly Noted

pp. 145-149

Music Reviews

Doppelkonzert a-Moll, opus 102 (review)

pp. 158-162

Liber sextus sacrarum cantionum (review)

pp. 162-164

Messa, e salmi concertati, op. 4 (1639) (review)

pp. 164-165

Meslanges autographes: Fac-simile du manuscrit Paris, Bibliotheque nationale, Res. Vm 1 259 (review)

pp. 165-169

6 Kammersonaten fur 2 Floten und Basso continuo, and: Sonata I in D-Dur fur zwei Floten und Basso continuo, and: Sonata II in D-Dur fur zwei Floten und Basso continuo, and: Sonata III in a-Moll fur zwei Floten und Basso continuo, and: Complete Sonatas for Flute and Basso Continuo, and: Complete Sonatas for Flute and Obbligato Keyboard (review)

pp. 169-176