We cannot verify your location
Browse Book and Journal Content on Project MUSE
OR

  Volume 59, Number 1, September 2002

Table of Contents

From: Notes

Previous Issue Next Issue

Notes for NOTES

pp. 38-44
|

Books Recently Published

pp. 101-124
|

New Periodicals

pp. 125-127
|

Music Publishers' Catalogs

pp. 150-157
|

Music Received

pp. 177-188
|

Articles

The Origins of the Music Collections in the University of Toronto Library: A Tale of Two Scores

pp. 9-19
|

"Un Cabinet de Musique"--The Library of an Eighteenth-Century Musician

pp. 20-37
|

Book Reviews
Edited by David Gilbert

Reference Books

The New Grove Dictionary of Jazz (review)

pp. 45-48
|

Musical Memorials for Musicians: A Guide to Selected Compositions (review)

pp. 48-49
|

Private Music Collections: Catalogs and Cognate Literature (review)

pp. 49-51
|

Music Since 1900 (review)

pp. 51-53
|

Music Since 1900

Making Music Modern: New York in the 1920s (review)

pp. 54-55
|

Faure and French Musical Aesthetics (review)

pp. 55-57
|

La vie musicale sous Vichy (review)

pp. 57-59
|

The Music of Toru Takemitsu, and: Toru Takemitsu: A Bio-Bibliography (review)

pp. 59-61
|

Elliott Carter ou le temps fertile (review)

pp. 61-64
|

Genre Studies

Virtual Music: Computer Synthesis of Musical Style (review)

pp. 64-65
|

Songs in the Key of Z: The Curious Universe of Outsider Music (review)

pp. 66-67
|

The Sounds of Early Cinema (review)

pp. 67-69
|

Bernard Herrmann's Vertigo: A Film Score Handbook (review)

pp. 69-71
|

Ballet and Opera in the Age of Giselle (review)

pp. 72-73
|

Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment (review)

pp. 73-74
|

National Musics

A History of Russian Music: From Kamarinskaya to Babi Yar (review)

pp. 74-77
|

German Opera: From the Beginnings to Wagner (review)

pp. 77-79
|

Music of the Raj: A Social and Economic History of Music in Late Eighteenth-Century Anglo-Indian Society (review)

pp. 79-81
|

Music and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich (review)

pp. 82-83
|

Covent Garden, the Untold Story: Dispatches from the English Culture War, 1945-2000 (review)

pp. 83-85
|

From Psalm to Symphony: A History of Music in New England (review)

pp. 85-87
|

Letters

Letters of Gerald Finzi and Howard Ferguson (review)

pp. 87-88
|

Edvard Grieg: Letters to Colleagues and Friends, and: Edvard Grieg: Diaries, Articles, Speeches (review)

pp. 88-90
|

Diverse Topics

The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical Genius (review)

pp. 90-93
|

Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer (review)

pp. 93-94
|

Early Keyboard Instruments: A Practical Guide (review)

pp. 94-97
|

The Cognition of Basic Musical Structures (review)

pp. 97-99
|

The Virtual Score: Representation, Retrieval, Restoration (review)

pp. 99-100
|

Digital Media Reviews

Film Music Web Sites

pp. 128-130
|

Five Windows into Africa (review)

pp. 131-133
|

D.S.C.H. Shostakovich on DVD-ROM (review)

pp. 133-135
|

Sound Recording Reviews

Pianists That Time Forgot

pp. 136-145
|

Briefly Noted

pp. 145-149
|

Music Reviews

Doppelkonzert a-Moll, opus 102 (review)

pp. 158-162
|

Liber sextus sacrarum cantionum (review)

pp. 162-164
|

Messa, e salmi concertati, op. 4 (1639) (review)

pp. 164-165
|

Meslanges autographes: Fac-simile du manuscrit Paris, Bibliotheque nationale, Res. Vm 1 259 (review)

pp. 165-169
|

6 Kammersonaten fur 2 Floten und Basso continuo, and: Sonata I in D-Dur fur zwei Floten und Basso continuo, and: Sonata II in D-Dur fur zwei Floten und Basso continuo, and: Sonata III in a-Moll fur zwei Floten und Basso continuo, and: Complete Sonatas for Flute and Basso Continuo, and: Complete Sonatas for Flute and Obbligato Keyboard (review)

pp. 169-176
|

Research Areas

Recommend

  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access