1. “Going Nautch Girl” in the Fin de Siècle: The White Woman Burdened by Colonial Domesticity
  2. Charn Jagpal
  3. pp. 252-272
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  1. From the Fallen Woman to the Fallen Typist, 1908–1922
  2. Lawrence Rainey
  3. pp. 273-297
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  1. E. Nesbit’s Psammead Trilogy: Reconfiguring Time, Nation, and Gender
  2. Michelle Smith
  3. pp. 298-311
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  1. Revisiting Fictional Italy, 1887–1908: Vernon Lee, Mary Ward, and E. M. Forster
  2. Tess Cosslett
  3. pp. 312-328
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  1. The Subversive in British Literary History
  2. Maureen Moran
  3. pp. 329-332
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  1. A New Century Begins
  2. Stanley Weintraub
  3. pp. 333-336
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  1. Kipling & Camouflaged Autobiography
  2. Patrick Brantlinger
  3. pp. 336-339
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  1. Conrad & Memoir
  2. John G. Peters
  3. pp. 339-340
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  1. Conrad’s Heart of Darkness
  2. Kiel Hume
  3. pp. 340-343
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  1. British Fiction & Ethnography
  2. Kate MacDonald
  3. pp. 343-346
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  1. Evolutionary Imagination
  2. Catherine Wynne
  3. pp. 346-348
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  1. Wilde & Plagiarism
  2. Bruce Bashford
  3. pp. 349-354
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  1. The Periodical as Cultural Object
  2. J. Randolph Cox
  3. pp. 354-357
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  1. Information Systems, Victorian Fiction, & Media Technologies
  2. Mackenzie Bartlett
  3. pp. 357-361
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  1. The Irish Language Movement
  2. José Lanters
  3. pp. 361-364
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  1. Revisiting Joyce’s World
  2. Patrick A. McCarthy
  3. pp. 364-367
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  1. Reading Joyce
  2. John Gordon
  3. pp. 367-371
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  1. Catholicism’s Joycean Weapon
  2. Christopher DeVault
  3. pp. 372-375
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  1. D. H. Lawrence & Death
  2. Peter Balbert
  3. pp. 375-380
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  1. H. D.’s Visionary War & Peace
  2. Charlotte Mandel
  3. pp. 380-383
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