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Table of Contents

  1. A Bibliographical Footnote to Benton and Halley: Discovery of Jean-Baptiste Phillis's Methode courte et facile
  2. Calvin Elliker
  3. pp. 491-503
  4. DOI: https://doi.org/10.1353/not.2002.0015
  5. restricted access
  1. The Economics of Information: DW3 and the Case for Creating a Music Megasite
  2. Yale Fineman
  3. pp. 504-510
  4. DOI: https://doi.org/10.1353/not.2002.0018
  5. restricted access
  1. An Early-Seventeenth-Century Collection of Sacred Vocal Music and Its Augsburg Connections
  2. Richard Charteris
  3. pp. 511-535
  4. DOI: https://doi.org/10.1353/not.2002.0011
  5. restricted access
  1. A Catalogue of Polyphonic Songs, 1415-1480 (review)
  2. Alejandro Enrique Planchart
  3. pp. 541-544
  4. DOI: https://doi.org/10.1353/not.2002.0038
  5. restricted access
  1. Baker's Biographical Dictionary of Musicians (review)
  2. Bonna J. Boettcher
  3. pp. 544-547
  4. DOI: https://doi.org/10.1353/not.2002.0008
  5. restricted access
  1. Comedy in Music: A Historical Bibliographical Resource Guide (review)
  2. Joseph M. Boonin
  3. pp. 547-548
  4. DOI: https://doi.org/10.1353/not.2002.0009
  5. restricted access
  1. Dictionnaire musical des villes de province (review)
  2. Gretchen Peters
  3. pp. 548-549
  4. DOI: https://doi.org/10.1353/not.2002.0036
  5. restricted access
  1. Dizionario degli editori musicali italiani, 1750-1930 (review)
  2. Donald William Krummel
  3. pp. 549-550
  4. DOI: https://doi.org/10.1353/not.2002.0024
  5. restricted access
  1. Lexikon Programmusik (review)
  2. Eunice Mary Schroeder
  3. pp. 550-552
  4. DOI: https://doi.org/10.1353/not.2002.0041
  5. restricted access
  1. America's Musical Life: A History (review)
  2. Larry Starr
  3. pp. 552-556
  4. DOI: https://doi.org/10.1353/not.2002.0043
  5. restricted access
  1. Untwisting the Serpent: Modernism in Music, Literature, and Other Arts, and: Revealing Masks: Exotic Influences and Ritualized Performance in Modernist Musical Theater (review)
  2. Tamara Levitz
  3. pp. 556-560
  4. DOI: https://doi.org/10.1353/not.2002.0025
  5. restricted access
  1. Aspects of Orality and Formularity in Gregorian Chant (review)
  2. John L. Snyder
  3. pp. 560-562
  4. DOI: https://doi.org/10.1353/not.2002.0042
  5. restricted access
  1. Courtly Song in Late Sixteenth-Century France (review)
  2. Carla Zecher
  3. pp. 562-563
  4. DOI: https://doi.org/10.1353/not.2002.0054
  5. restricted access
  1. Masqued Mysteries Unmasked: Early Modern Music Theater and its Pythagorean Subtext (review)
  2. Kathryn Lowerre
  3. pp. 564-565
  4. DOI: https://doi.org/10.1353/not.2002.0026
  5. restricted access
  1. Music of the Baroque (review)
  2. Michael Talbot
  3. pp. 565-567
  4. DOI: https://doi.org/10.1353/not.2002.0045
  5. restricted access
  1. Western Music and its Others: Difference, Representations, and Appropriations in Music (review)
  2. Jonathan Bellman
  3. pp. 567-569
  4. DOI: https://doi.org/10.1353/not.2002.0005
  5. restricted access
  1. Music and Gender (review)
  2. Sarah Weiss
  3. pp. 569-572
  4. DOI: https://doi.org/10.1353/not.2002.0049
  5. restricted access
  1. Il primo libro de mottetti a cinque et a sei voci (Antwerp, 1556), and: Cantiones aliquot quinque vocum (Munich, 1569); Ten motets from Selectiorum aliquot cantionum sacrarum sex vocum fasciculus (Munich, 1570), and: Moduli quinis vocibus nunquam hactenus editi (Paris, 1571), and: Patrocinium musices, prima pars (Munich, 1573), and: Cantica sacra sex et octo vocibus (Munich, 1585), and: Motets from Printed Anthologies and Manuscripts, 1555-1569, and: Motets from Printed Anthologies and Manuscripts, 1570-1579, and: 12 fantasie (Parigi, 1578), and: Mottetti a due voci (Venezia, 1610) (review)
  2. Richard Freedman
  3. pp. 570-575
  4. DOI: https://doi.org/10.1353/not.2002.0019
  5. restricted access
  1. The Free Fantasia and the Musical Picturesque (review)
  2. Jonathan Bellman
  3. pp. 572-573
  4. DOI: https://doi.org/10.1353/not.2002.0006
  5. restricted access
  1. Music in Lubavitcher Life (review)
  2. Jeffrey A. Summit
  3. pp. 574-575
  4. DOI: https://doi.org/10.1353/not.2002.0044
  5. restricted access
  1. The Lord's Song in a Strange Land: Music and Identity in Contemporary Jewish Worship (review)
  2. Judith S. Pinnolis
  3. pp. 575-576
  4. DOI: https://doi.org/10.1353/not.2002.0037
  5. restricted access
  1. Officia de Nativitate, Wittenberg 1545 (review)
  2. Rebecca Wagner Oettinger
  3. pp. 576-578
  4. DOI: https://doi.org/10.1353/not.2002.0035
  5. restricted access
  1. Images: Iconography of Music in African-American Culture, 1770s-1920s (review)
  2. Larry F. Ward
  3. pp. 576-578
  4. DOI: https://doi.org/10.1353/not.2002.0047
  5. restricted access
  1. Music and the Racial Imagination (review)
  2. Melinda Russell
  3. pp. 578-579
  4. DOI: https://doi.org/10.1353/not.2002.0040
  5. restricted access
  1. Patterns in Play: A Model for Text Setting in the Early French Songs of Guillaume Dufay (review)
  2. Alejandro Enrique Planchart
  3. pp. 580-583
  4. DOI: https://doi.org/10.1353/not.2002.0039
  5. restricted access
  1. The Chansons of Orlando di Lasso: Music, Piety, and Print in Sixteenth-Century France (review)
  2. Peter Bergquist
  3. pp. 583-585
  4. DOI: https://doi.org/10.1353/not.2002.0007
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  1. Meilensteine der Bach-Interpretation 1750-2000: Eine Werkgeschichte im Wandel (review)
  2. Gregory S. Johnston
  3. pp. 585-586
  4. DOI: https://doi.org/10.1353/not.2002.0022
  5. restricted access
  1. "Mi vuoi tu corbellar"--Die Opere Buffe von Giovanni Paisiello--Analysen und Interpretationen (review)
  2. Imanuel Willheim
  3. pp. 586-588
  4. DOI: https://doi.org/10.1353/not.2002.0050
  5. restricted access
  1. Returning Cycles: Contexts for the Interpretation of Schubert's Impromptus and Last Sonatas (review)
  2. Scott Messing
  3. pp. 589-590
  4. DOI: https://doi.org/10.1353/not.2002.0032
  5. restricted access
  1. The Cambridge Companion to Ravel (review)
  2. Stephen Zank
  3. pp. 590-593
  4. DOI: https://doi.org/10.1353/not.2002.0053
  5. restricted access
  1. The Atonal Music of Arnold Schoenberg, 1908-1923 (review)
  2. Joseph Henry Auner
  3. pp. 593-595
  4. DOI: https://doi.org/10.1353/not.2002.0004
  5. restricted access
  1. Sibelius Studies (review)
  2. William A. Everett
  3. pp. 595-596
  4. DOI: https://doi.org/10.1353/not.2002.0017
  5. restricted access
  1. A Dictionary-Catalog of Modern British Composers (review)
  2. John Wagstaff
  3. pp. 596-598
  4. DOI: https://doi.org/10.1353/not.2002.0046
  5. restricted access
  1. Gerhard on Music: Selected Writings (review)
  2. Charles Edward McGuire
  3. pp. 598-599
  4. DOI: https://doi.org/10.1353/not.2002.0028
  5. restricted access
  1. Alan Rawsthorne: Portrait of a Composer (review)
  2. Drew Edward Davies
  3. pp. 600-601
  4. DOI: https://doi.org/10.1353/not.2002.0014
  5. restricted access
  1. Lennox Berkeley: A Source Book (review)
  2. Byron Adams
  3. pp. 601-603
  4. DOI: https://doi.org/10.1353/not.2002.0001
  5. restricted access
  1. The Music of Harrison Birtwistle (review)
  2. Alastair Williams
  3. pp. 603-604
  4. DOI: https://doi.org/10.1353/not.2002.0051
  5. restricted access
  1. Musical Ekphrasis: Composers Responding to Poetry and Painting (review)
  2. James Melo
  3. pp. 604-606
  4. DOI: https://doi.org/10.1353/not.2002.0031
  5. restricted access
  1. Training Soprano Voices (review)
  2. Ruthann Boles McTyre
  3. pp. 606-607
  4. DOI: https://doi.org/10.1353/not.2002.0030
  5. restricted access
  1. Orgelfuhrer Europa (review)
  2. Lawrence Archbold
  3. pp. 607-608
  4. DOI: https://doi.org/10.1353/not.2002.0003
  5. restricted access
  1. The Mozart Effect for Children: Awakening Your Child's Mind, Health, and Creativity with Music (review)
  2. Jerry L. McBride
  3. pp. 608-610
  4. DOI: https://doi.org/10.1353/not.2002.0027
  5. restricted access
  1. Annual Review of Jazz Studies 9, 1997-98 (review)
  2. Michael Colby
  3. pp. 610-611
  4. DOI: https://doi.org/10.1353/not.2002.0012
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  1. Books Recently Published
  2. Stephen Yusko, Karen R. Little
  3. pp. 612-646
  4. DOI: https://doi.org/10.1353/not.2002.0052
  5. restricted access
  1. New Periodicals
  2. Margaret D. Ericson
  3. pp. 647-648
  4. DOI: https://doi.org/10.1353/not.2002.0016
  5. restricted access
  1. Early Polyphony To 1300
  2. J. F. Weber
  3. pp. 649-656
  4. DOI: https://doi.org/10.1353/not.2002.0048
  5. restricted access
  1. Briefly Noted
  2. Rick Anderson
  3. pp. 656-659
  4. DOI: https://doi.org/10.1353/not.2002.0002
  5. restricted access
  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 660-665
  4. DOI: https://doi.org/10.1353/not.2002.0021
  5. restricted access
  1. Aci, Galatea e Polifemo: Serenata a tre, HWV 72 (review)
  2. Ellen T. Harris
  3. pp. 666-670
  4. DOI: https://doi.org/10.1353/not.2002.0020
  5. restricted access
  1. Ayres for Four Voices, and: Lute Songs: The Original First and Second Books Including Dowland's Original Lute Tablature (review)
  2. Gary R. Boye
  3. pp. 679-682
  4. DOI: https://doi.org/10.1353/not.2002.0010
  5. restricted access
  1. Samtliche Orgelwerke (review)
  2. Hugh McLean
  3. pp. 682-684
  4. DOI: https://doi.org/10.1353/not.2002.0029
  5. restricted access
  1. John Knowles Paine, The Complete Organ Works, and: Arthur Foote, The Complete Organ Works, and: Horatio Parker, The Complete Organ Works, vol. 1: Sonata in E[flat], and: Sonate es-moll, op. 65 (review)
  2. Jean Morrow
  3. pp. 684-687
  4. DOI: https://doi.org/10.1353/not.2002.0033
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  1. Communications
  3. pp. 699-703
  4. DOI: https://doi.org/10.1353/not.2002.0013
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  1. Notes for Notes
  3. pp. 536-540
  4. DOI: https://doi.org/10.1353/not.2002.0034
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  1. Music Received
  2. David Knapp
  3. pp. 688-698
  4. DOI: https://doi.org/10.1353/not.2002.0023
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