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  Volume 58, Number 2, December 2001

Table of Contents

From: Notes

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Notes for NOTES

pp. 316-319 | DOI: 10.1353/not.2001.0214

Books Recently Published

pp. 389-405 | DOI: 10.1353/not.2001.0229

Music Publishers' Catalogs

pp. 415-420 | DOI: 10.1353/not.2001.0201

Music Received

pp. 436-447 | DOI: 10.1353/not.2001.0205


pp. 448-450 | DOI: 10.1353/not.2001.0182


Recovered in Kiev: Bach et al. A Preliminary Report on the Music Archive of the Berlin Sing-Akademie

pp. 259-271 | DOI: 10.1353/not.2001.0228

The Music Library Association's Plan 2001: A Final Report

pp. 272-290 | DOI: 10.1353/not.2001.0212

Andrew W. Johnson's The Eclectic Harmony : A Middle Tunebook in Middle Tennessee

pp. 291-301 | DOI: 10.1353/not.2001.0186

Trends in the Price of Music Monographs and Scores as Reflected in Notes, 1996-2001

pp. 302-305 | DOI: 10.1353/not.2001.0223

Book Reviews
Edited by Eunice Schroeder

The New Grove Dictionary of Music and Musicians, 2d ed. (review)

pp. 320-325 | DOI: 10.1353/not.2001.0195

The Sense of Music: Semiotic Essays (review)

pp. 326-328 | DOI: 10.1353/not.2001.0211

The Advent Project: The Later-Seventh-Century Creation of the Roman Mass Proper (review)

pp. 329-332 | DOI: 10.1353/not.2001.0209

Theories of Fugue from the Age of Josquin to the Age of Bach (review)

pp. 332-334 | DOI: 10.1353/not.2001.0230

A History of the Oratorio. Vol. 4, The Oratorio in the Nineteenth and Twentieth Centuries (review)

pp. 334-336 | DOI: 10.1353/not.2001.0215

Siren Songs: Representations of Gender and Sexuality in Opera (review)

pp. 336-337 | DOI: 10.1353/not.2001.0225


Music and Cinema (review)

pp. 337-339 | DOI: 10.1353/not.2001.0202

A French Song Companion (review)

pp. 339-341 | DOI: 10.1353/not.2001.0180

Editionsrichtlinien Musik (review)

pp. 341-342 | DOI: 10.1353/not.2001.0197

Serial Music and Serialism: A Research and Information Guide (review)

pp. 342-344 | DOI: 10.1353/not.2001.0210

Sixteenth Through Nineteenth Centuries

Elliott Carter: A Guide to Research (review)

pp. 344-345 | DOI: 10.1353/not.2001.0220

Claude Le Jeune (v. 1530-1600): Un compositeur entre Renaissance et baroque (review)

pp. 345-347 | DOI: 10.1353/not.2001.0189

French Baroque Opera: A Reader (review)

pp. 347-348 | DOI: 10.1353/not.2001.0177

Jose de Torres's Treatise of 1736: General Rules for Accompanying on the Organ, Harpsichord, and the Harp, by Knowing Only How to Sing the Part, or a Bass in Canto Figurado (review)

pp. 348-349 | DOI: 10.1353/not.2001.0218

Daniel Gottlob Turk on the Role of the Organist in Worship (1787) (review)

pp. 349-350 | DOI: 10.1353/not.2001.0207

".. . immer das Ganze vor Augen": Studien zu Beethoven (review)

pp. 350-351 | DOI: 10.1353/not.2001.0183

The Life of Mendelssohn (review)

pp. 351-352 | DOI: 10.1353/not.2001.0181

Twentieth Century

T.S. Eliot's Orchestra: Critical Essays on Poetry and Music, and: Walt Whitman and Modern Music: War, Desire, and the Trials of Nationhood (review)

pp. 353-355 | DOI: 10.1353/not.2001.0190

Schoenberg and Words: The Modernist Years (review)

pp. 355-357 | DOI: 10.1353/not.2001.0224

Stravinsky: The Rite of Spring (review)

pp. 357-358 | DOI: 10.1353/not.2001.0179

Inside Bluebeard's Castle: Music and Drama in Bela Bartok's Opera (review)

pp. 358-360 | DOI: 10.1353/not.2001.0222

The BBC and Ultra-modern Music, 1922-1936: Shaping a Nation's Tastes (review)

pp. 360-362 | DOI: 10.1353/not.2001.0191

The Soviet Proletarian Music Movement (review)

pp. 362-364 | DOI: 10.1353/not.2001.0192

American Folk Music and Left-Wing Politics, 1927-1957 (review)

pp. 364-365 | DOI: 10.1353/not.2001.0216

Aaron Copland's America: A Cultural Perspective (review)

pp. 365-367 | DOI: 10.1353/not.2001.0185

Reading Pop: Approaches to Textual Analysis in Popular Music (review)

pp. 367-369 | DOI: 10.1353/not.2001.0227

Listening to Classic American Popular Songs (review)

pp. 369-370 | DOI: 10.1353/not.2001.0178

Jazz: A History of America's Music (review)

pp. 370-371 | DOI: 10.1353/not.2001.0200

"Oh, Mister Jelly": A Jelly Roll Morton Scrapbook (review)

pp. 372-374 | DOI: 10.1353/not.2001.0206

Reminiscing in Tempo: A Portrait of Duke Ellington (review)

pp. 374-375 | DOI: 10.1353/not.2001.0194

Blutopia: Visions of the Future and Revisions of the Past in the Work of Sun Ra, Duke Ellington, and Anthony Braxton (review)

pp. 375-377 | DOI: 10.1353/not.2001.0219

Josh White: Society Blues (review)

pp. 377-378 | DOI: 10.1353/not.2001.0187

Nationalists, Cosmopolitans, and Popular Music in Zimbabwe (review)

pp. 378-379 | DOI: 10.1353/not.2001.0176

Fiddler on the Move: Exploring the Klezmer World (review)

pp. 380-381 | DOI: 10.1353/not.2001.0208

Theremin: Ether Music and Espionage (review)

pp. 381-382 | DOI: 10.1353/not.2001.0217

Virtuosi: A Defense and a (Sometimes Erotic) Celebration of Great Pianists (review)

pp. 382-383 | DOI: 10.1353/not.2001.0199

A Century of Recorded Music: Listening to Musical History (review)

pp. 383-385 | DOI: 10.1353/not.2001.0204

Bruno Walter: A World Elsewhere (review)

pp. 385-386 | DOI: 10.1353/not.2001.0226

Herbert von Karajan: A Life in Music (review)

pp. 386-388 | DOI: 10.1353/not.2001.0193

Digital Media Reviews
Edited by Stephen Yusko and Karen R. Little

GroveMusic (review)

pp. 406-408 | DOI: 10.1353/not.2001.0184

RIPM on the Internet

pp. 408-411 | DOI: 10.1353/not.2001.0198

Reliable, Useful, and Free: Notable Bibliographic Databases on the Web

pp. 411-414 | DOI: 10.1353/not.2001.0188

Music Reviews
Edited by Darwin F. Scott

Sinfonien Nr. 4-6, and: Sinfonie Nr. 7 in h, and: Sinfonie Nr. 4 in c, D 417, and: Sinfonie Nr. 6 in C, D 589, and: Symphony in D Major (1820/21), D 708A, and: Symphony in D Major (1828), D936A (review)

pp. 421-424 | DOI: 10.1353/not.2001.0213

Freie Bearbeitungen, III, and: Freie Bearbeitungen, V, and: Freie Bearbeitungen, VIII, and: Transkriptionen, VIII, and: Transkriptionen, IX, and: Beethoven: Symphonies Nos. 1-5 (review)

pp. 425-430 | DOI: 10.1353/not.2001.0221

Melodies en 2 volumes, and: The Art of French Song: 19th and 20th Century Repertoire, and: 10 Melodies, and: 11 Melodies (review)

pp. 430-433 | DOI: 10.1353/not.2001.0196

Israel in Egypt: Oratorio in Three Parts, HWV 54, and: Israel in Egypt: Oratorio in Three Parts, HWV 54: The versions of the 1739 and 1756-7 performances (review)

pp. 433-435 | DOI: 10.1353/not.2001.0203

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