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  Volume 58, Number 1, September 2001

Table of Contents

From: Notes

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Notes for NOTES

pp. 55-58 | DOI: 10.1353/not.2001.0163

Books Recently Published

pp. 123-152 | DOI: 10.1353/not.2001.0156

New Periodicals

pp. 153-154 | DOI: 10.1353/not.2001.0155

Music Publishers' Catalogs

pp. 155-160 | DOI: 10.1353/not.2001.0146

Music Received

pp. 192-202 | DOI: 10.1353/not.2001.0153


pp. 203-204 | DOI: 10.1353/not.2001.0130


A Bibliographical Study of Antoine Meissonnier's Periodicals for Voice and Guitar, 1817-27

pp. 11-33 | DOI: 10.1353/not.2001.0171

Electronic Journals and the Future of Scholarly Communication

pp. 34-38 | DOI: 10.1353/not.2001.0170

Taking Note: Assessing the Performance of Reference Service in Academic Music Libraries, A Progress Report

pp. 39-54 | DOI: 10.1353/not.2001.0127

Book Reviews
Edited by Eunice Schroeder

Johann Sebastian Bach: The Learned Musician, and: Bach (review)

pp. 59-62 | DOI: 10.1353/not.2001.0169


Purcell Manuscripts: The Principal Musical Sources (review)

pp. 63-64 | DOI: 10.1353/not.2001.0126

"Tristan und Isolde" on Record: A Comprehensive Discography of Wagner's Music Drama with a Critical Introduction to the Recordings (review)

pp. 64-65 | DOI: 10.1353/not.2001.0138

Reader's Guide to Music: History, Theory, Criticism (review)

p. 66 | DOI: 10.1353/not.2001.0165

Middle Ages

The Divine Office in the Latin Middle Ages: Methodology and Source Studies, Regional Developments, Hagiography (review)

pp. 67-69 | DOI: 10.1353/not.2001.0125

Seventeenth and Eighteenth Centuries

Henry Lawes: Cavalier Songwriter (review)

pp. 69-70 | DOI: 10.1353/not.2001.0150

Schutz (review)

pp. 70-71 | DOI: 10.1353/not.2001.0136

Von Luther zu Bach: Bericht uber die Tagung 22.-25. September 1996 in Eisenach, and: My Only Comfort: Death, Deliverance, and Discipleship in the Music of Bach (review)

pp. 71-75 | DOI: 10.1353/not.2001.0140

Dokumente zur Telemann-Rezeption, 1767 bis 1907 (review)

pp. 75-77 | DOI: 10.1353/not.2001.0175

Nineteenth Century

High-Minded and Low-Down: Music in the Lives of Americans, 1800-1861 (review)

pp. 77-79 | DOI: 10.1353/not.2001.0129

Beethoven and His World (review)

pp. 79-80 | DOI: 10.1353/not.2001.0142

A Companion to Schubert's Schwanengesang : History, Poets, Analysis, Performance (review)

pp. 80-82 | DOI: 10.1353/not.2001.0161

The Life of Schubert (review)

pp. 82-83 | DOI: 10.1353/not.2001.0162

Friedrich Kuhlau in the Mirror of His Flute Works (review)

pp. 83-84 | DOI: 10.1353/not.2001.0143

The Cambridge Companion to Berlioz (review)

pp. 84-85 | DOI: 10.1353/not.2001.0167

Brahms Studies, Vol. 2 (review)

pp. 85-87 | DOI: 10.1353/not.2001.0141

The Life of Verdi (review)

pp. 87-88 | DOI: 10.1353/not.2001.0144

Twentieth Century

Sound Figures (review)

pp. 89-90 | DOI: 10.1353/not.2001.0148

Mahler: Das Lied von der Erde, and: Mahler's Fourth Symphony (review)

pp. 90-94 | DOI: 10.1353/not.2001.0135

Satie the Bohemian: From Cabaret to Concert Hall (review)

pp. 94-95 | DOI: 10.1353/not.2001.0131

Louis Laloy (1874-1944) on Debussy, Ravel and Stravinsky (review)

pp. 95-97 | DOI: 10.1353/not.2001.0137

Frederick Delius and Peter Warlock: A Friendship Revealed (review)

pp. 97-98 | DOI: 10.1353/not.2001.0133

Bartok Perspectives: Man, Composer, and Ethnomusicologist (review)

pp. 98-101 | DOI: 10.1353/not.2001.0139

Perspectives on American Music, 1900-1950 (review)

pp. 101-103 | DOI: 10.1353/not.2001.0123

William Grant Still: A Study in Contradictions (review)

pp. 103-104 | DOI: 10.1353/not.2001.0174

Leonard Warren: American Baritone (review)

pp. 104-105 | DOI: 10.1353/not.2001.0154

Tomorrow Never Knows: Rock and Psychedelics in the 1960s, and: Sixties Rock: Garage, Psychedelic, and Other Satisfactions (review)

pp. 105-107 | DOI: 10.1353/not.2001.0157

Various Topics

Music and Humanism: An Essay in the Aesthetics of Music (review)

pp. 107-109 | DOI: 10.1353/not.2001.0168

After the Heavenly Tune: English Poetry and the Aspiration to Song (review)

pp. 109-110 | DOI: 10.1353/not.2001.0147

A Theory of Art (review)

pp. 110-113 | DOI: 10.1353/not.2001.0173

Bel Canto: A History of Vocal Pedagogy (review)

pp. 113-114 | DOI: 10.1353/not.2001.0152

Heart to Heart: Expressive Singing in England, 1780-1830 (review)

pp. 114-116 | DOI: 10.1353/not.2001.0151

The Cambridge Companion to Singing (review)

pp. 116-117 | DOI: 10.1353/not.2001.0124

Zarzuela: Spanish Operetta, American Stage (review)

pp. 117-118 | DOI: 10.1353/not.2001.0128

Kiyomoto-bushi: Narrative Music of the Kabuki Theatre (review)

pp. 118-120 | DOI: 10.1353/not.2001.0149

La Cappella musicale di San Marco nell'eta moderna: Atti del convegno internazionale di studi, Venezia, Palazzo Giustiniani Lolin, 5-7 settembre 1994 (review)

pp. 120-122 | DOI: 10.1353/not.2001.0158

Music Reviews
Edited by Darwin F. Scott

Latin Motets II: (from Manuscript Sources) (review)

pp. 161-164 | DOI: 10.1353/not.2001.0159

Shorter Choral Works without Orchestra, and: Symphony no. 1 (review)

pp. 164-167 | DOI: 10.1353/not.2001.0122

Nocturnes, and: Nocturnes: 1898-1899 (review)

pp. 167-170 | DOI: 10.1353/not.2001.0132

Cantata in onore del Sommo Pontefice Pio Nono (review)

pp. 170-172 | DOI: 10.1353/not.2001.0134

La morte d'Orfeo: Tragicommedia pastorale (review)

pp. 173-175 | DOI: 10.1353/not.2001.0160

Thomas Morley, II, Services, and: Consort, Full, and Verse Anthems, and: Selected Anthems and Motet Recompositions (review)

pp. 176-179 | DOI: 10.1353/not.2001.0164

Dedication Service for St. Gertrude's Chapel, Hamburg, 1607 (review)

pp. 180-183 | DOI: 10.1353/not.2001.0145

Harmoniae morales, and: Moralia, and: V rokopisu ohranjene skladbe = Compositions Preserved in Manuscript (review)

pp. 183-186 | DOI: 10.1353/not.2001.0166

The Robert Bloom Collection: Solo Works and Chamber Music for Oboe (review)

pp. 186-191 | DOI: 10.1353/not.2001.0172

Research Areas


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