1. Destination as Destiny: Amelia B. Edwards’s Travel Writing
  2. Patricia O’Neill
  3. pp. 43-71
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  1. Representations of Private/Public Domains: The Feminine Ideal and Modernist Agendas in Egyptian Film, Mid-1950s–1980s
  2. Sabrina Joseph
  3. pp. 72-109
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  1. Requiem for a Rosewood Marimba, and: Topographies, and: Poem Colored with Henna
  2. Karen An-hwei Lee
  3. pp. 110-114
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  1. Positioning Women’s Rights within Asylum Policy: A Feminist Analysis of Political Persecution
  2. Sara L. Zeigler, Kendra B. Stewart
  3. pp. 115-142
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  1. The Photographer’s Wife
  2. Laura Heyman
  3. pp. 143-149
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  1. The Photographer’s Wife: Seeing and Staging
  2. Kevin Young
  3. pp. 150-151
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  1. Gertie and the Visitors
  2. Tricia Currans-Sheehan
  3. pp. 152-164
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  1. The Night Café
  2. Rhonda Poynter
  3. p. 165
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  1. What’s Political about the New Feminisms?
  2. Carisa R. Showden
  3. pp. 166-198
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  1. Introduction
  2. Gayle Gullett, Susan E. Gray
  3. pp. vii-viii
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  1. Contributors
  2. pp. 199-201
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