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  Volume 57, Number 4, June 2001

Table of Contents

From: Notes

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Notes for NOTES

pp. 873-882 | DOI: 10.1353/not.2001.0103

Books Recently Published

pp. 938-974 | DOI: 10.1353/not.2001.0096

Music Publishers' Catalogs

pp. 984-986 | DOI: 10.1353/not.2001.0090

Music Received

pp. 1021-1029 | DOI: 10.1353/not.2001.0102


pp. 1031-1032 | DOI: 10.1353/not.2001.0074


Bass Parts to an Unknown Purcell Suite at Yale

pp. 819-833 | DOI: 10.1353/not.2001.0114

A Descriptive Study of Subject Indexing and Abstracting in International Index of Music Periodicals, RILM Abstracts of Music Literature, and The Music Index Online

pp. 834-863 | DOI: 10.1353/not.2001.0092

Necrology Index

pp. 864-872 | DOI: 10.1353/not.2001.0086

Book Reviews
Edited by Eunice Schroeder

Roman Monody, Cantata, and Opera from the Circles around Cardinal Montalto (review)

pp. 883-887 | DOI: 10.1353/not.2001.0104

Hugo Wolf and His Morike Songs (review)

pp. 887-888 | DOI: 10.1353/not.2001.0083

Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music (review)

pp. 888-891 | DOI: 10.1353/not.2001.0119


Popular American Recording Pioneers, 1895-1925 (review)

pp. 891-892 | DOI: 10.1353/not.2001.0113

The Unsung Songwriters: America's Masters of Melody (review)

pp. 892-893 | DOI: 10.1353/not.2001.0079

Eighteenth Century

Mozart: A Cultural Biography (review)

pp. 893-895 | DOI: 10.1353/not.2001.0101

Studien zur Dresdner Uberlieferung von Instrumentalkonzerten deutscher Komponisten des 18. Jahrhunderts (review)

pp. 895-896 | DOI: 10.1353/not.2001.0110

A Reader's Guide to Haydn's Early String Quartets (review)

p. 897 | DOI: 10.1353/not.2001.0105

Nineteenth Century

Manuel Garcia (1775-1832): Chronicle of the Life of a bel canto Tenor at the Dawn of Romanticism (review)

pp. 898-899 | DOI: 10.1353/not.2001.0073

Die Sinfonie im deutschen Kulturgebiet 1850 bis 1875: Ein Beitrag zur Gattungs- und Institutionengeschichte (review)

pp. 899-900 | DOI: 10.1353/not.2001.0118

Felix Mendelssohn Bartholdy: Kongress-Bericht Berlin 1994 (review)

pp. 901-902 | DOI: 10.1353/not.2001.0075

Anton Bruckner: Symphony No. 8 (review)

pp. 902-903 | DOI: 10.1353/not.2001.0106

A Brahms Reader (review)

pp. 904-905 | DOI: 10.1353/not.2001.0107

Musical Women in England, 1870-1914: "Encroaching on All Man's Privileges" (review)

pp. 905-907 | DOI: 10.1353/not.2001.0098

Twentieth Century

Webern and the Transformation of Nature (review)

pp. 907-909 | DOI: 10.1353/not.2001.0077

Karol Szymanowski: His Life and Work (review)

pp. 909-910 | DOI: 10.1353/not.2001.0080

Shostakovich in Context (review)

pp. 910-912 | DOI: 10.1353/not.2001.0115

Louis Armstrong in His Own Words: Selected Writings, and: The Louis Armstrong Companion: Eight Decades of Commentary (review)

pp. 912-914 | DOI: 10.1353/not.2001.0088

Writing Jazz (review)

pp. 914-915 | DOI: 10.1353/not.2001.0109

Artie Shaw: A Musical Biography and Discography (review)

pp. 915-916 | DOI: 10.1353/not.2001.0094

The Ladies Who Sing with the Band (review)

pp. 916-917 | DOI: 10.1353/not.2001.0078

Irving Berlin: American Troubadour (review)

pp. 917-919 | DOI: 10.1353/not.2001.0070

Expression in Pop-Rock Music: A Collection of Critical and Analytical Essays (review)

pp. 919-921 | DOI: 10.1353/not.2001.0089

Romancing the Folk: Public Memory and American Roots Music (review)

pp. 921-922 | DOI: 10.1353/not.2001.0097

Mountains of Music: West Virginia Traditional Music from Goldenseal (review)

pp. 922-923 | DOI: 10.1353/not.2001.0069

Shaping Society through Dance: Mestizo Ritual Performance in the Peruvian Andes (review)

pp. 923-925 | DOI: 10.1353/not.2001.0111

Awakening Spaces: French Caribbean Popular Songs, Music, and Culture (review)

pp. 925-926 | DOI: 10.1353/not.2001.0076

The Life and Artistry of Maria Olenina-d'Alheim (review)

pp. 926-928 | DOI: 10.1353/not.2001.0112

Jean Langlais: The Man and His Music (review)

pp. 928-929 | DOI: 10.1353/not.2001.0117

Various Topics

Operatic Subjects: The Evolution of Self in Modern Opera (review)

pp. 929-931 | DOI: 10.1353/not.2001.0091

Rhythms of Resistance: African Musical Heritage in Brazil (review)

pp. 931-933 | DOI: 10.1353/not.2001.0068

The Art of Performance (review)

pp. 933-934 | DOI: 10.1353/not.2001.0072

The Algorithmic Composer (review)

pp. 934-936 | DOI: 10.1353/not.2001.0108

Obiter Scripta: Essays, Lectures, Articles, Interviews and Reviews on Music, and Other Subjects (review)

pp. 936-937 | DOI: 10.1353/not.2001.0093

Digital Media Reviews
Compiled by Stephen Davison

Finale 2000: Music Notation Software (review)

pp. 975-981 | DOI: 10.1353/not.2001.0095

Treasures from American Film Archives: 50 Preserved Films (review)

pp. 981-983 | DOI: 10.1353/not.2001.0071

Music Reviews
Edited by Darwin F. Scott

Solfeggio: per coro (SATB) a cappella (1964/1996), and: Cantate Domino canticum novum: Psalm 95 fur Chor oder Solisten (SATB) und Orgel (1977, rev. 1996), and: Missa syllabica: Fur vier Stimmen oder gemischten Chor und Orgel (1977, rev. 1996), and: Sarah Was Ninety Years Old: Fur drei Singstimmen (STT), Schlagzeug und Orgel (1977/1990), and: Ein Wallfahrtslied: Psalm 121 fur eine Mannerstimme (Tenor oder Bariton) und Streichquartett (1984, rev. 1996), and: Zwei slawische Psalmen (Psalm 117, Psalm 131): Fur Chor oder Sopran, Alt, Countertenor, Tenor und Bass, a cappella (1984, rev. 1997), and: Te Deum: Fur drei Chore, Klavier, Streicher und Tonband (1984/85, rev. 1992), and: Miserere: Fur Soli, Chor, Ensemble und Orgel (1989, rev. 1992), and: And One of the Pharisees. ..: Fur drei Singstimmen (Ct[A]TB) a cappella (1992), and: Memento: Fur Chor (SATB) a cappella (1994), and: Litany: Prayers of St. John Chrysostom for Each Hour of the Day and Night: Per soli (A[Ct]TTB), coro (SATB) ed orchestra (1994, rev. 1996), and: I Am the True Vine: Per coro a cappella (1996), and: The Woman with the Alabaster Box: St. Matthew 26, 6-13 fur Chor (SATB) a cappella (1997), and: Tribute to Caesar: St. Matthew 22, 15-22 fur Chor (SATB) a cappella (1997), and: Collected Choral Works (review)

pp. 987-993 | DOI: 10.1353/not.2001.0081

Rosina: A Comic Opera (1782) (review)

pp. 993-997 | DOI: 10.1353/not.2001.0100

La Cenerentola, ossia, La bonta in Trionfo: Dramma giocoso in due atti (review)

pp. 997-999 | DOI: 10.1353/not.2001.0085

Missa sancta Nr. 1 Es-Dur (WeV A.2) mit Offertorium "Gloria et honore" (WeV A.3); Missa sancta Nr. 2 G-Dur (WeV A.5) mit Offertorium "In die solemnitatis" (WeV A.4) (review)

pp. 999-1001 | DOI: 10.1353/not.2001.0116

Suite No. 1 for Cello All by Its Lonesome (S. 1a), and: Suite No. 2 for Cello All by Its Lonesome (S. 1b), and: "Goldbrick" Variations for Piano, Two Hands (S. 14), and: The Short-Tempered Clavier: Preludes and Fugues in All the Major and Minor Keys except for the Really Hard Ones (S. 3.14159, easy as), and: Sonata "Abassoonata" for Bassoon and Piano (S. 888), and: Three Chorale-Based Piecelets for Organ (S. III), and: Little Pickle Book (Pockelbuchlein) for Organ, at Least (S. 6), and: Sonata da Circo (Circus Sonata) for Organ or Whatever (S.3 Ring), and: Four Folk Song Upsettings (S. 4) (review)

pp. 1002-1005 | DOI: 10.1353/not.2001.0120

Brass Calendar for Brass Quintet [1993], and: Ceremonial March for Piano or Organ [1955/56], and: Variations on a Medieval Theme for Organ [1958], and: Canzona for Organ (1960), and: Fantasy for Organ [1990], and: Viola Dreams: Quodlibet for String Quartet [1997], and: Eagle Rock: Sonatina for Cello and Piano [1996], and: Duo Caprice for Two Violins [1993], and: River Run: For Contrabass and Harpsichord [1976], and: Divertimento for 2 B[flat] Clarinets and Bassoon [1984;1996] (review)

pp. 1005-1008 | DOI: 10.1353/not.2001.0084

Obras completas de Rodrigo de Ceballos (review)

pp. 1009-1011 | DOI: 10.1353/not.2001.0087

Symphonie Nr. 4 in vier Satzen fur grosses Orchester und Sopran-Solo: Fassung 1911, and: Symphonie I, D-Dur, and: Symphony No. 1 in D Major ("Titan"), and: Funf Lieder nach Texten von Friedrich Ruckert fur Singstimme und Orchester, and: Funfzehn Lieder, Humoresken und Balladen aus Des Knaben Wunderhorn fur Singstimme und Klavier (review)

pp. 1011-1015 | DOI: 10.1353/not.2001.0121

Instrumental Solo and Ensemble Music

Schattenklange: Drei Stucke fur Bassklarinette, and: Espace/Brume pour marimba et clarinette basse, and: Engage the Mountain: [For] Clarinet (Bass Clarinet) and Percussion (1 Player), and: "I've Shook My Fists at the Sky" (Meditation and Agitation): [For] Clarinet Solo (review)

pp. 1015-1018 | DOI: 10.1353/not.2001.0099

Vocal and Choral Music

Requiem, op. 48, pour soli, choeur, et orchestre symphonique: Version de concert, 1900 (review)

pp. 1018-1020 | DOI: 10.1353/not.2001.0082

Research Areas


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