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  Volume 57, Number 3, March 2001

Table of Contents

From: Notes

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Notes for Notes

pp. 585-587 | DOI: 10.1353/not.2001.0067

Books Recently Published

pp. 666-697 | DOI: 10.1353/not.2001.0007

New Periodicals

pp. 698-699 | DOI: 10.1353/not.2001.0036

Music Publishers' Catalogs

pp. 700-707 | DOI: 10.1353/not.2001.0028

Music Received

pp. 766-779 | DOI: 10.1353/not.2001.0046

Communications

p. 780 | DOI: 10.1353/not.2001.0010

Articles

Music Metadata and Authority Control in an International Context

pp. 541-554 | DOI: 10.1353/not.2001.0063

Early Imprints in the Thomas A. Edison Collection of American Sheet Music: Addenda to Sonneck-Upton and to Wolfe

pp. 555-573 | DOI: 10.1353/not.2001.0016

"What is hip?" and Other Inquiries in Jazz Slang Lexicography

pp. 574-584 | DOI: 10.1353/not.2001.0041

Book Reviews
Edited by Eunice Schroeder

Classical and Romantic Performing Practice, 1750-1900, and: The Historical Performance of Music: An Introduction (review)

pp. 588-591 | DOI: 10.1353/not.2001.0049

The Critical Editing of Music: History, Method, and Practice (review)

pp. 591-593 | DOI: 10.1353/not.2001.0032

Conventional Wisdom: The Content of Musical Form (review)

pp. 593-596 | DOI: 10.1353/not.2001.0057

First Nights: Five Musical Premieres (review)

pp. 596-597 | DOI: 10.1353/not.2001.0006

Irvine's Writing about Music, and: A Short Guide to Writing about Music (review)

pp. 598-600 | DOI: 10.1353/not.2001.0023

The Oxford History of English Music, vol. 2, From c.1715 to the Present Day (review)

pp. 600-602 | DOI: 10.1353/not.2001.0013

Music as Medicine: The History of Music Therapy since Antiquity (review)

pp. 603-604 | DOI: 10.1353/not.2001.0005

America's Instrument: The Banjo in the Nineteenth Century (review)

pp. 604-606 | DOI: 10.1353/not.2001.0021

Piano Roles: Three Hundred Years of Life with the Piano (review)

pp. 606-607 | DOI: 10.1353/not.2001.0050

The Early Clarinet: A Practical Guide (review)

pp. 607-608 | DOI: 10.1353/not.2001.0001

Reference

Paris: A Musical Gazetteer (review)

pp. 608-609 | DOI: 10.1353/not.2001.0066

A Catalogue of the Shaw-Hellier Collection in the Music Library, Barber Institute of Fine Arts, The University of Birmingham (review)

pp. 610-611 | DOI: 10.1353/not.2001.0030

Frederic Chopin: A Guide to Research (review)

pp. 611-612 | DOI: 10.1353/not.2001.0042

Gabriel Faure: A Guide to Research (review)

pp. 612-613 | DOI: 10.1353/not.2001.0060

African-American Blues, Rhythm and Blues, Gospel and Zydeco on Film and Video, 1926-1977, and: Encyclopedia of Rhythm & Blues and Doo-Wop Vocal Groups (review)

pp. 613-615 | DOI: 10.1353/not.2001.0018

Antiquity Through the Seventeenth Century

Music in Ancient Greece and Rome, and: Apollo's Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages (review)

pp. 615-618 | DOI: 10.1353/not.2001.0034

An Introduction to Gregorian Chant (review)

pp. 618-620 | DOI: 10.1353/not.2001.0014

Music and Patronage in the Sforza Court (review)

pp. 620-622 | DOI: 10.1353/not.2001.0037

The Treasury of Petrus Alamire: Music and Art in Flemish Court Manuscripts, 1500-1535 (review)

pp. 623-625 | DOI: 10.1353/not.2001.0047

The Empire Resounds: Music in the Days of Charles V (review)

pp. 625-626 | DOI: 10.1353/not.2001.0053

The Monteverdi Vespers of 1610: Music, Context, Performance (review)

pp. 626-628 | DOI: 10.1353/not.2001.0056

Orlando Gibbons and the Gibbons Family of Musicians (review)

pp. 628-630 | DOI: 10.1353/not.2001.0004

Eighteenth Century

Dramma per musica: Italian Opera Seria of the Eighteenth Century (review)

pp. 630-631 | DOI: 10.1353/not.2001.0039

Francesco Bartolomeo Conti: His Life and Music (review)

pp. 631-633 | DOI: 10.1353/not.2001.0065

The Collected Works of Johann Christian Bach, 1735-1782, vol. 48, Thematic Catalogue and Music Supplement (review)

pp. 633-635 | DOI: 10.1353/not.2001.0045

Nineteenth Century

Bach und die Nachwelt, vol. 1, 1750-1850, vol. 2, 1850-1900 (review)

pp. 635-638 | DOI: 10.1353/not.2001.0020

Berlioz, vol. 2, Servitude and Greatness, 1832-1869 (review)

pp. 638-640 | DOI: 10.1353/not.2001.0055

Clara Schumann: Komponistin, Interpretin, Unternehmerin, Ikone: Bericht uber die Tagung anlasslich ihres 100. Todestages (review)

pp. 640-642 | DOI: 10.1353/not.2001.0038

Selected Letters (review)

pp. 642-644 | DOI: 10.1353/not.2001.0003

French Opera at the Fin de Siecle: Wagnerism, Nationalism, and Style (review)

pp. 644-647 | DOI: 10.1353/not.2001.0052

Tosca's Rome: The Play and the Opera in Historical Perspective (review)

pp. 647-648 | DOI: 10.1353/not.2001.0008

The Arts Entwined: Music and Painting in the Nineteenth Century (review)

pp. 649-650 | DOI: 10.1353/not.2001.0027

Virtuosity of the Nineteenth Century: Performing Music and Language in Heine, Liszt, and Baudelaire (review)

pp. 650-652 | DOI: 10.1353/not.2001.0051

Ballads, Songs, and Snatches: The Appropriation of Folk Song and Popular Culture in British Nineteenth-Century Realist Prose (review)

pp. 652-653 | DOI: 10.1353/not.2001.0061

Twentieth Century

The Garland Encyclopedia of World Music, vol. 8, Europe (review)

pp. 653-655 | DOI: 10.1353/not.2001.0058

The Nenets' Song: A Microcosm of a Vanishing Culture (review)

pp. 656-657 | DOI: 10.1353/not.2001.0031

Dance in Cambodia (review)

p. 657 | DOI: 10.1353/not.2001.0043

Rituals of Fertility and the Sacrifice of Desire: Nazarite Women's Performance in South Africa (review)

pp. 658-659 | DOI: 10.1353/not.2001.0002

Debussy in Performance (review)

pp. 659-660 | DOI: 10.1353/not.2001.0022

Opera on Screen (review)

pp. 660-662 | DOI: 10.1353/not.2001.0044

Juilliard: A History (review)

pp. 662-663 | DOI: 10.1353/not.2001.0029

Alma Rose: Vienna to Auschwitz (review)

pp. 663-665 | DOI: 10.1353/not.2001.0062

Music Reviews
Edited by Darwin F. Scott

Amos Bull, The Collected Works, and: Three Connecticut Composers: The Collected Works of Oliver Brownson, Alexander Gillet, and Solomon Chandler, and: Three New York Composers: The Collected Works of Lewis Edson, Lewis Edson Jr., and Nathaniel Billings, and: Elias Mann, The Collected Works, and: Supply Belcher, The Collected Works, and: Abraham Wood, The Collected Works, and: Two Vermont Composers: The Collected Works of Elisha West and Justin Morgan, and: Two Connecticut Composers: The Collected Works of Asahel Benham and Merit Woodruff, and: Jacob French, The Collected Works, and: Joseph Stone, The Collected Works, and: Samuel Babcock, The Collected Works, and: Selected Works of Samuel Holyoke and Jacob Kimball, and: Oliver Holden, Selected Works, and: Daniel Belknap, The Collected Works, and: The Collected Works of Eliakim Doolittle and Timothy Olmsted (review)

pp. 708-717 | DOI: 10.1353/not.2001.0011

Messe de Nostre Dame [for] Mixed Voices (review)

pp. 717-721 | DOI: 10.1353/not.2001.0048

Savonarolan Laude, Motets, and Anthems (review)

pp. 721-723 | DOI: 10.1353/not.2001.0012

The Moderne Motet Anthologies: Four-Voice Motets from the Motteti del Fiore Series, and: The Moderne Motet Anthologies: Five- and More-Voice Motets from the Motteti del Fiore Series, and: Motetti del Laberinto Libro primo a cinque Voci. .. (Venice, Girolamo Scotto, 1554), and: Sacrae Cantiones Vulgo Motetta. .. (Venice, Scotto, 1568), and: Caesaris Tudini Canonici & Musici Cathedralis Ecclesiae Adriensis Mottetorum Quinque Vocibus Liber Primus (Venice: Vincenti, 1588) (review)

pp. 724-728 | DOI: 10.1353/not.2001.0019

Werke fur besondere Anlasse (review)

pp. 728-731 | DOI: 10.1353/not.2001.0054

Lamentations of Jeremiah, and: Missarum liber quartus, and: Masses (review)

pp. 731-735 | DOI: 10.1353/not.2001.0064

Kantaten mit Instrumenten, III: HWV 150, 165, 166, 170, 171, 173 (review)

pp. 736-739 | DOI: 10.1353/not.2001.0026

La clemenza di Tito (Neapel 1752) (review)

pp. 739-741 | DOI: 10.1353/not.2001.0040

Prix de Rome Works, and: L'enfance du Christ, and: L'enfance du Christ, Reduction piano, and: Cleopatre, and: Herminie, and: La mort d'Orphee: Monologue et Bacchanale (review)

pp. 742-745 | DOI: 10.1353/not.2001.0033

Profane Vokalwerke, I, and: Symphony No. 2, op. 10 (review)

pp. 746-748 | DOI: 10.1353/not.2001.0009

The Sun Bride: A Pueblo Indian Opera (review)

pp. 748-751 | DOI: 10.1353/not.2001.0059

Images (1894); Pour le piano; Children's Corner (review)

pp. 751-753 | DOI: 10.1353/not.2001.0015

Hommage a Salvador Dali, and: El ser humano muere solamente cuando lo olvidan: Pagina en recuerdo de Arthur Rubinstein para piano solo (1987/1993), and: Zeitgestalt fur Streichquartett (1996) (review)

pp. 754-757 | DOI: 10.1353/not.2001.0024

Spring Song for Solo Cello, and: Four Pieces for Violoncello, and: Lalai: Schlaflied zum Wachwerden? fur Violoncello und Klavier, and: Heron, for Cello and Piano (review)

pp. 757-759 | DOI: 10.1353/not.2001.0035

Your Cry Will Be a Whisper, for Solo Guitar, and: Composition for Guitar (1984), and: Resisting Stillness, [for] Two Guitars, and: Sonata da giardino (for Solo Guitar) (1998), and: The Seasons Pass, for Solo Guitar, and: From Kakadu and Into the Dreaming, for Solo Guitar, and: In the Woods: Three Pieces for Guitar, and: Tres homenajes hungaros (Three Hungarian Tributes), for Two Guitars (1994), and: Da'ase, for Solo Guitar, and: American Bouquet (Versions of Popular Music), for Guitar (review)

pp. 759-762 | DOI: 10.1353/not.2001.0017

Albumblatter fur Prinzessin Marie von Sayn-Wittgenstein (review)

pp. 763-765 | DOI: 10.1353/not.2001.0025

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