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  Number 64, Fall 2009

Table of Contents

From: The Velvet Light Trap

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Failures, Flops, and False Starts


pp. 1-2 | DOI: 10.1353/vlt.0.0036

Claiming the Found: Archive Footage and Documentary Practice

pp. 3-10 | DOI: 10.1353/vlt.0.0037

Hollywood Party, Jimmy Durante, and the Cultural Politics of Coherence

pp. 11-22 | DOI: 10.1353/vlt.0.0038

A Virtual Failure: Evaluating the Success of Nintendo's Virtual Boy

pp. 23-33 | DOI: 10.1353/vlt.0.0039

Convergent Consortia: Format Battles in High Definition

pp. 34-49 | DOI: 10.1353/vlt.0.0040

StarCraft Fan Craft: Game Mods, Ownership, and Totally Incomplete Conversions

pp. 50-63 | DOI: 10.1353/vlt.0.0041

Public Service Broadcasting and the Failure of Political Representation

pp. 64-75 | DOI: 10.1353/vlt.0.0042

Dossier: Perspectives on Failure

p. 76 | DOI: 10.1353/vlt.0.0043

Aesthetics and Style

The Aesthetics of Failure

pp. 76-77 | DOI: 10.1353/vlt.0.0044

The Return of Jezebel James

pp. 77-78 | DOI: 10.1353/vlt.0.0045

Dissolved Away

p. 79 | DOI: 10.1353/vlt.0.0046


pp. 79-81 | DOI: 10.1353/vlt.0.0047

Fuller's Most Fascinating Flop: Park Row

pp. 81-82 | DOI: 10.1353/vlt.0.0048

The Bionic Woman 2.0

pp. 82-83 | DOI: 10.1353/vlt.0.0049


The Cat Telephone

pp. 83-84 | DOI: 10.1353/vlt.0.0050

The Story of 50mm Film

pp. 84-86 | DOI: 10.1353/vlt.0.0051

Nitrate's Still Waiting

pp. 86-87 | DOI: 10.1353/vlt.0.0052

Plug and Play: Performances of Risk and Failure in Digital Media Presentations

pp. 87-89 | DOI: 10.1353/vlt.0.0053

Social and Political Representation

What We Can Learn from King

pp. 89-90 | DOI: 10.1353/vlt.0.0054

The So-Called Fall of Blaxploitation

pp. 90-91 | DOI: 10.1353/vlt.0.0055

Falling Women: Hollywood and Its Chick Flick Audience

pp. 91-92 | DOI: 10.1353/vlt.0.0056

Methods/ Assumptions of Media Studies

The Extraordinary Adventures of Mr. Analog in the Land of the Pixels

pp. 92-94 | DOI: 10.1353/vlt.0.0057

Vagaries of a Concept: The Culture Industry

pp. 94-95 | DOI: 10.1353/vlt.0.0058

Of Prepositions: Lost and Found

pp. 95-98 | DOI: 10.1353/vlt.0.0059

From Failure: On Prepositions and History

pp. 98-99 | DOI: 10.1353/vlt.0.0060

Nine Theses on the Failures and False Start of Filmic Ontology

pp. 100-101 | DOI: 10.1353/vlt.0.0061

Notes on the Emergence of Failure Studies

pp. 101-102 | DOI: 10.1353/vlt.0.0062

Seven Reasons Why I Love Submarine Movies

pp. 102-103 | DOI: 10.1353/vlt.0.0063

One Reservation

p. 103 | DOI: 10.1353/vlt.0.0064

A Skip in the Record of Media Studies: Why the Failure to Better Understand Popular Music as Media Matters So Much Today

pp. 103-105 | DOI: 10.1353/vlt.0.0065

Industry and Business

Economic Externalities: Looking beyond Box-Office Revenues

pp. 105-106 | DOI: 10.1353/vlt.0.0066

Interactive TV Too Early: The False Start of QUBE

pp. 106-107 | DOI: 10.1353/vlt.0.0067

Franchise Failures

pp. 107-109 | DOI: 10.1353/vlt.0.0068

Research Areas


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