1. From Great Women to Top Girls: Pageants of Sisterhood in British Feminist Theater
  2. Rebecca Cameron
  3. pp. 143-166
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  1. Diamonds, Maidens, Widow Dido, and Cock-a-diddle-dow
  2. David Golz
  3. pp. 167-196
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  1. Sermons, Exegesis, and Performance: The Laon Ordo Prophetarum and the Meaning of Advent
  2. Robert C. Lagueux
  3. pp. 197-220
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  1. Evicted in—and from—Toronto: Walker's Beautiful City at Factory Theatre
  2. J. Chris Westgate
  3. pp. 221-245
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  1. Lay Performances of Work and Salvation in the York Cycle
  2. Andreea Boboc
  3. pp. 247-271
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  1. The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts 1580-1630 (review)
  2. Jennifer Low
  3. pp. 273-276
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  1. Contemporary Latina/o Theater: Wrighting Ethnicity (review)
  2. Brian Eugenio Herrera
  3. pp. 276-279
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  1. The Cultural Uses of the Caesars on the English Renaissance Stage (review)
  2. Barbara L. Parker
  3. pp. 279-281
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  1. Ancient Rome in Early Opera (review)
  2. Michael Ewans
  3. pp. 282-284
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  1. Brief Notices
  2. pp. 285-290
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  1. Contributors
  2. pp. 291-292
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