Volume 33, Issue 3, September 2007

Table of Contents

From: ESC: English Studies in Canada

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  Canadians and Culture; or, Taxes, Money, Prestige, Ordinary Folk, Subsidized Whiners, and All the Rest

pp. 1-5

  When Artists Carry the Torch

pp. 6-9

  (W)Hol(l)y Fucked!: Strategizing Resistance to the Harper Arts Cuts

pp. 10-15

  The Imagination’s Subsidies: Whiners, Elites, Ordinary People, and the Economy

pp. 16-19

  The Balanced Boredom Campaign

pp. 20-23

  The Politics of the Exasperated: Arts and Culture in Canada

pp. 24-30


Collaborative Desires

  Cukor and Collaboration: Subjective Displacement in America’s Postwar Years

pp. 31-65

  “A Necessary Collaboration”: Biographical Desire and Elizabeth Smart

pp. 67-88

Rereadings; Margaret Atwood

  Turning the Pages: Rereading Atwood’s Novels

pp. 89-93

  Negotiating the Nation: The Reproduction and Reconstruction of the National Imaginary in Margaret Atwood’s Surfacing

pp. 95-123

  “I’m sorry my story is in fragments”: Offred’s Operatic Counter-Memory

pp. 125-144

  Secret Allies: Reconsidering Science and Gender in Cat’s Eye

pp. 145-170

  Crossing Boundaries in Shakespeare

pp. 171-183

Book Reviews

  Textual Performances: The Modern Reproduction of Shakespeare’s Drama (review)

pp. 185-188

  Recalling Early Canada: Reading the Political in Literary and Cultural Production (review)

pp. 189-191

  Unsettling Partition: Literature, Gender, Memory (review)

pp. 191-194

  Privacy, Playreading, and Women’s Closet Drama, 1550–1700 (review)

pp. 194-197

  History, Literature, and the Writing of the Canadian Prairies (review)

pp. 198-200

  H.D. and the Image (review)

pp. 200-203

  English Biography in the Seventeenth Century: A Critical Survey (review)

pp. 203-207

  Shakespeare’s History Plays: Performance, Translation, and Adaptation in Britain and Abroad (review)

pp. 207-210

  Strangers at Home: American Ethnic Modernism Between the Wars (review)

pp. 210-211

  The Uses of Script and Print, 1300–1700 (review)

pp. 212-215