Volume 26, Number 1, Winter 1995

Table of Contents

From: New Literary History

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Optics and Power in the Novel

pp. 3-20
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The Graphic Unconscious: A Response

pp. 21-28
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Making the World Safe for Narratology: A Reply to Dorrit Cohn

pp. 29-33
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Reply to John Bender and Mark Seltzer

pp. 35-37
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Women, Subjectivity, and the Rhetoric of Anti-Humanism in Feminist Film Theory

pp. 39-56
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"Am I That Name": Reply to Deborah Knight

pp. 57-62
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The Rhetoric of Theory: Responses to Toril Moi

pp. 63-70
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Aesthetic Narratives

Going Bird Meets Cougar-Asleep-on-Tree-Branch

pp. 73-86
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Mineral Light, Journey to the Self

pp. 87-94
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The Sublime and Modern Architecture: Unmasking (an Aesthetic of) Abstraction

pp. 95-110
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Audiovisual Culture and Interdisciplinary Knowledge

pp. 111-121
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Dramatizing the Failure to Jump the Culture/Nature Gap: The Films of Peter Greenaway

pp. 123-143
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On Memory

The Body, Sensoria, and Self of the Powerless: Remembering/"Re-Membering" Indian Untouchable Women

pp. 147-168
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Embodied Memory, Transcendence, and Telling: Recounting Trauma, Re-establishing the Self

pp. 169-195
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Memory and Identity

pp. 197-203
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Subjectivity in the Twentieth Century

pp. 205-217
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Books Received


Contributors

pp. 219-220
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Books Received

pp. 221-224
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