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  Volume 61, Number 1, March 2009

Table of Contents

Editorial Comment

pp. vii-x
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How to Do Things with Demons: Conjuring Performatives in Doctor Faustus

pp. 1-21
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Scenes of Self-Recruitment: Ron Vawter’s Entry into The Performance Group

pp. 23-41
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Between Umat and Rakyat: Islam and Nationalism in Indonesian Modern Theatre

pp. 43-64
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Genocide Unbound: Erik Ehn, Rwanda, and an Aesthetics of Discomfort

pp. 65-83
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Blood Debt: Reparations in Langston Hughes’s Mulatto

pp. 85-103
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Performance Reviews

Judith A. Sebesta, Editor

August: Osage County (review)

pp. 105-106
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Kicking a Dead Horse (review)

pp. 107-108
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No Child (review)

pp. 108-109
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Monkey: Journey to the West, and: Between the Devil and the Deep Blue Sea, and: Homeland, and: The Great War (review)

pp. 110-114
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Sixtenth International Istanbul Theatre Festival (review)

pp. 114-117
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Festival D’Avignon (review)

pp. 117-120
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The Clay Cart (review)

pp. 120-122
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Les Éphémères (review)

pp. 122-124
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Penthésilée (review)

pp. 124-126
|

The God of Carnage (review)

pp. 126-128
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Fram (review)

pp. 128-131
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Noel Coward’s Brief Encounter, and: Gone with the Wind (review)

pp. 131-135
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Dessa Rose (review)

pp. 135-138
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Gypsy (review)

pp. 138-139
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Cat on a Hot Tin Roof (review)

pp. 139-142
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Book Review

Melissa Gibson, Editor

Performing Aotearoa: New Zealand Theatre and Drama in an Age of Transition (review)

pp. 143-144
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At Home in the World: Bharata Natyam on the Global Stage (review)

pp. 144-145
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Performance and Politics in Tanzania: The Nation on Stage (review)

pp. 145-147
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Cascoland: Interventions in Public Space, Drill Hall, Johannesburg, South Africa (review)

pp. 147-148
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Czech Theatre Design in the Twentieth Century: Metaphor and Irony Revisited (review)

pp. 148-149
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A History of Italian Theatre (review)

pp. 149-150
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Brian Friel, Ireland, and the North (review)

pp. 150-151
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A History of Asian American Theatre (review)

pp. 152-153
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Women in American Musical Theatre: Essays on Composers, Lyricists, Librettists, Arrangers, Choreographers, Designers, Directors, Producers, and Performance Artists (review)

pp. 153-154
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Performing Patriotism: National Identity in the Colonial and Revolutionary American Theater (review)

pp. 154-155
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Eugene O’Neill’s America: Desire Under Democracy (review)

pp. 155-156
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Theatre Censorship: From Walpole to Wilson (review)

pp. 157-158
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Voice in Motion: Staging Gender, Shaping Sound in Early Modern England (review)

pp. 158-159
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Early Responses to Renaissance Drama (review)

pp. 159-160
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Shakespeare’s Late Style, and: The Staging of Romance in Late Shakespeare: Text and Theatrical Technique (review)

pp. 160-162
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Books Receieved

Books Received

pp. 163-169
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Research Areas

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