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Browse Book and Journal Content on Project MUSE

  Volume 61, Number 1, March 2009

Table of Contents

Editorial Comment

pp. vii-x | DOI: 10.1353/tj.0.0158

How to Do Things with Demons: Conjuring Performatives in Doctor Faustus

pp. 1-21 | DOI: 10.1353/tj.0.0154

Scenes of Self-Recruitment: Ron Vawter’s Entry into The Performance Group

pp. 23-41 | DOI: 10.1353/tj.0.0138

Between Umat and Rakyat: Islam and Nationalism in Indonesian Modern Theatre

pp. 43-64 | DOI: 10.1353/tj.0.0129

Genocide Unbound: Erik Ehn, Rwanda, and an Aesthetics of Discomfort

pp. 65-83 | DOI: 10.1353/tj.0.0135

Blood Debt: Reparations in Langston Hughes’s Mulatto

pp. 85-103 | DOI: 10.1353/tj.0.0128

Performance Reviews

Judith A. Sebesta, Editor

August: Osage County (review)

pp. 105-106 | DOI: 10.1353/tj.0.0142

Kicking a Dead Horse (review)

pp. 107-108 | DOI: 10.1353/tj.0.0137

No Child (review)

pp. 108-109 | DOI: 10.1353/tj.0.0123

Monkey: Journey to the West, and: Between the Devil and the Deep Blue Sea, and: Homeland, and: The Great War (review)

pp. 110-114 | DOI: 10.1353/tj.0.0141

Sixtenth International Istanbul Theatre Festival (review)

pp. 114-117 | DOI: 10.1353/tj.0.0144

Festival D’Avignon (review)

pp. 117-120 | DOI: 10.1353/tj.0.0147

The Clay Cart (review)

pp. 120-122 | DOI: 10.1353/tj.0.0143

Les Éphémères (review)

pp. 122-124 | DOI: 10.1353/tj.0.0131

Penthésilée (review)

pp. 124-126 | DOI: 10.1353/tj.0.0155

The God of Carnage (review)

pp. 126-128 | DOI: 10.1353/tj.0.0149

Fram (review)

pp. 128-131 | DOI: 10.1353/tj.0.0151

Noel Coward’s Brief Encounter, and: Gone with the Wind (review)

pp. 131-135 | DOI: 10.1353/tj.0.0152

Dessa Rose (review)

pp. 135-138 | DOI: 10.1353/tj.0.0133

Gypsy (review)

pp. 138-139 | DOI: 10.1353/tj.0.0126

Cat on a Hot Tin Roof (review)

pp. 139-142 | DOI: 10.1353/tj.0.0136

Book Review

Melissa Gibson, Editor

Performing Aotearoa: New Zealand Theatre and Drama in an Age of Transition (review)

pp. 143-144 | DOI: 10.1353/tj.0.0146

At Home in the World: Bharata Natyam on the Global Stage (review)

pp. 144-145 | DOI: 10.1353/tj.0.0145

Performance and Politics in Tanzania: The Nation on Stage (review)

pp. 145-147 | DOI: 10.1353/tj.0.0132

Cascoland: Interventions in Public Space, Drill Hall, Johannesburg, South Africa (review)

pp. 147-148 | DOI: 10.1353/tj.0.0156

Czech Theatre Design in the Twentieth Century: Metaphor and Irony Revisited (review)

pp. 148-149 | DOI: 10.1353/tj.0.0140

A History of Italian Theatre (review)

pp. 149-150 | DOI: 10.1353/tj.0.0153

Brian Friel, Ireland, and the North (review)

pp. 150-151 | DOI: 10.1353/tj.0.0134

A History of Asian American Theatre (review)

pp. 152-153 | DOI: 10.1353/tj.0.0150

Women in American Musical Theatre: Essays on Composers, Lyricists, Librettists, Arrangers, Choreographers, Designers, Directors, Producers, and Performance Artists (review)

pp. 153-154 | DOI: 10.1353/tj.0.0159

Performing Patriotism: National Identity in the Colonial and Revolutionary American Theater (review)

pp. 154-155 | DOI: 10.1353/tj.0.0139

Eugene O’Neill’s America: Desire Under Democracy (review)

pp. 155-156 | DOI: 10.1353/tj.0.0127

Theatre Censorship: From Walpole to Wilson (review)

pp. 157-158 | DOI: 10.1353/tj.0.0124

Voice in Motion: Staging Gender, Shaping Sound in Early Modern England (review)

pp. 158-159 | DOI: 10.1353/tj.0.0125

Early Responses to Renaissance Drama (review)

pp. 159-160 | DOI: 10.1353/tj.0.0130

Shakespeare’s Late Style, and: The Staging of Romance in Late Shakespeare: Text and Theatrical Technique (review)

pp. 160-162 | DOI: 10.1353/tj.0.0148

Books Receieved

Books Received

pp. 163-169 | DOI: 10.1353/tj.0.0157

Research Areas


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