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Browse Book and Journal Content on Project MUSE

  Volume 45, Number 2, Winter 2008

Table of Contents

Raising the Wind

pp. 203-207 | DOI: 10.1353/jjq.0.0050


“Too full for words”: A Reflection on the XXIst International James Joyce Symposium in Tours, France, 15–20 June 2008

pp. 209-212 | DOI: 10.1353/jjq.0.0051

Jetés et Tours en l’air: A Report on the XXIst International James Joyce Symposium, Tours, France, 15–20 June 2008

pp. 212-216 | DOI: 10.1353/jjq.0.0052

“Vigo Goes Viconian”: A Report on the Nineteenth Conference of the Spanish James Joyce Society, Vigo, Spain, 11–12 April 2008

pp. 216-220 | DOI: 10.1353/jjq.0.0053


“The Esthetic Instinct in Action”: Charles Darwin and Mental Science in A Portrait of the Artist as a Young Man

pp. 221-244 | DOI: 10.1353/jjq.0.0054

“The Index Nothing Affirmeth”: The Semiotic Formation of a Literary Mandate in James Joyce’s “The Sisters”

pp. 245-262 | DOI: 10.1353/jjq.0.0055

The Jew’s Text: “Shem The Penman” and “Shaun The Post”

pp. 263-280 | DOI: 10.1353/jjq.0.0056

Madame Blavatsky and Theosophy in Finnegans Wake: An Annotated List

pp. 281-300 | DOI: 10.1353/jjq.0.0057

“Scribbled Words”: The Usage of the Ulysses Notebooks in “Proteus” and “Aeolus”

pp. 301-322 | DOI: 10.1353/jjq.0.0058

Current JJ Checklist(103)

Current JJ Checklist (103)

pp. 323-338 | DOI: 10.1353/jjq.0.0059


Padraic Colum’s “James Joyce as a Young Man”

pp. 339-347 | DOI: 10.1353/jjq.0.0060

“They Like it Because No-one Can Hear”: A Derridean Reading of Joyce’s Floral Language in “Lotus Eaters”

pp. 348-356 | DOI: 10.1353/jjq.0.0061


Cerf’s Up!

p. 357 | DOI: 10.1353/jjq.0.0062


Reading the Modernist Bildungsroman (review)

pp. 359-362 | DOI: 10.1353/jjq.0.0072

Joyce and Company (review)

pp. 363-365 | DOI: 10.1353/jjq.0.0067

Ulyssean Close-Ups (review)

pp. 366-369 | DOI: 10.1353/jjq.0.0063

Joyce und Menippos: “A Portrait of the Artist as an Old Dog” (review)

pp. 369-372 | DOI: 10.1353/jjq.0.0066

Dirt for Art’s Sake: Books on Trial from “Madame Bovary” to “Lolita” (review)

pp. 372-374 | DOI: 10.1353/jjq.0.0068

Relations: Ethics and the Modernist Subject in James Joyce’s “Ulysses,” Virginia Woolf’s “The Waves,” and Djuna Barnes’s “Nightwood” (review)

pp. 375-376 | DOI: 10.1353/jjq.0.0064

The Religion of Art: A Modernist Theme in British Literature, 1885–1925 (review)

pp. 377-379 | DOI: 10.1353/jjq.0.0073

The Cambridge Companion to the Irish Novel (review)

pp. 379-382 | DOI: 10.1353/jjq.0.0071

The Rhetoric of Modernist Fiction (review)

pp. 383-385 | DOI: 10.1353/jjq.0.0069

The Scallop of Saint James: An Old Pilgrim’s Hoard. Reading Joyce from the Peripheries (review)

pp. 385-388 | DOI: 10.1353/jjq.0.0065

James Joyce’s Dublin: A Topographical Guide to the Dublin of “Ulysses,” and: A Joycean Scrapbook from the National Library of Ireland (review)

pp. 389-392 | DOI: 10.1353/jjq.0.0070



p. 393 | DOI: 10.1353/jjq.0.0074



pp. 395-397 | DOI: 10.1353/jjq.0.0075

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