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In this Issue

Table of Contents

  1. A Neglected Anthology of Sacred Vocal Music Dating from the Sixteenth Century
  2. Richard Charteris
  3. pp. 1-34
  4. restricted access
  1. Manuscript Publishing in the Commonwealth Period: A Neglected Source of Consort Music by Golding and Locke
  2. Alan Howard
  3. pp. 35-67
  4. restricted access
  1. Fauxbourdon in the Seventeenth and Eighteenth Centuries: ‘Le secours d’une douce harmonie’
  2. Deborah Kauffman
  3. pp. 68-93
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  1. Tuning in and Dropping Out: The Disturbance of the Dutch Premiere of Stockhausen’s Stimmung
  2. Robert Adlington
  3. pp. 94-112
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  1. Beyond the Soundtrack: Representing Music in Cinema (review)
  2. Annette Davison
  3. pp. 113-116
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  1. Performing Democracy: Bulgarian Music and Musicians in Transition (review)
  2. Jim Samson
  3. pp. 116-118
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  1. The Music of Mauricio Kagel (review)
  2. Alastair Williams
  3. pp. 118-120
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  1. Living Electronic Music (review)
  2. Michael Clarke
  3. pp. 120-123
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  1. Other Planets: The Music of Karlheinz Stockhausen (review)
  2. Björn Heile
  3. pp. 123-126
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  1. Russian Music and Nationalism from Glinka to Stalin (review)
  2. Pauline Fairclough
  3. pp. 126-129
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  1. The Puccini Problem: Opera, Nationalism, and Modernity (review)
  2. Helen Greenwald
  3. pp. 129-131
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  1. Elgar the Music Maker (review)
  2. J. P. E. Harper-Scott
  3. pp. 131-133
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  1. Fashionable Acts: Opera and Elite Culture in London, 1780–1880 (review)
  2. Alexandra Wilson
  3. pp. 133-135
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  1. Nadia Boulanger et Lili Boulanger: Témoignages et études (review)
  2. Caroline Potter
  3. pp. 135-137
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  1. Pentatonicism from the Eighteenth Century to Debussy (review)
  2. Raymond Monelle
  3. pp. 137-138
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  1. Ohr und Auge — Klang und Form: Facetten einer musikästhetischen Dichotomie bei Johann Gottfried Herder, Richard Wagner und Franz Schreker (review)
  2. Christopher Morris
  3. pp. 138-141
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  1. Richard Wagner’s Zurich: The Muse of Place (review)
  2. Nicholas Vazsonyi
  3. pp. 141-143
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  1. Směleji a rozhodněji za českou hudbu! ‘Společenské vědomí’ české hudební kultury 1945–1969 v zrcadle dobové hudební publicistiky (review)
  2. John Tyrrell
  3. pp. 143-147
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  1. Anton von Webern (review)
  2. Arnold Whittall
  3. pp. 147-148
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  1. Invention musicale et idéologies 2: Mutations historiques et lectures critiques de la modernité (review)
  2. Arnold Whittall
  3. pp. 148-150
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  1. The Memetics of Music: A Neo-Darwinian View of Musical Structure and Culture (review)
  2. Daniel Leech-Wilkinson
  3. pp. 150-153
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  1. Layers of Musical Meaning (review)
  2. Anthony Gritten
  3. pp. 153-156
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  1. Diagnosing Genius: The Life and Death of Beethoven (review)
  2. Barry Cooper
  3. pp. 156-158
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  1. W. A. Mozart (review)
  2. Simon P. Keefe
  3. pp. 158-160
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  1. A Briefe and Short Instruction of the Art of Musicke by Elway Bevin (review)
  2. Peter Hauge
  3. pp. 160-162
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  1. La Librería de Canto de Órgano: Creación y pervivencia del repertorio del Renacimiento en la actividad musical de la catedral de Sevilla (review)
  2. Tess Knighton
  3. pp. 162-166
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  1. Shaping a Monastic Identity: Liturgy and History at the Imperial Abbey of Farfa, 1000–1125 (review)
  2. Emma Hornby
  3. pp. 166-168
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  1. Studies in Bibliography: Papers of the Bibliographical Society of the University of Virginia (review)
  2. Peter Ward Jones
  3. pp. 168-169
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  1. To the Editors of ‘Music & Letters’
  2. Wieland Hoban
  3. pp. 170-171
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  1. ‘Music & Letters’ Awards
  3. p. 173
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  1. Authors of Articles in this Issue
  3. p. 173
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  1. Books Received
  3. pp. 174-175
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