1. Préface: De l'essence à la topique: mais où est donc notre sujet?
  2. Jean-Pierre Dubost
  3. pp. 3-15
  4. DOI: 10.1353/esp.2010.0295
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  1. Scène de séduction et spectacle total dans le récit galant du XVIIIe siècle
  2. Jan Herman
  3. pp. 28-38
  4. DOI: 10.1353/esp.2010.0363
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  1. Elements of the Libertine Chronotope: Jealousy in Claude Crébillon's Les Heureux orphelins
  2. Karen McCloskey
  3. pp. 39-48
  4. DOI: 10.1353/esp.2010.0397
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  1. Désir, religion et violence du roman libertin: Temps et lieux des découvertes
  2. Mladen Kozul
  3. pp. 49-61
  4. DOI: 10.1353/esp.2010.0431
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  1. Petite-Maîtrise: The Ethics of Libertine Foppery
  2. Peter Cryle
  3. pp. 62-72
  4. DOI: 10.1353/esp.2010.0247
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  1. The Circulating Library
  2. Catriona Seth
  3. pp. 73-82
  4. DOI: 10.1353/esp.2010.0282
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  1. Meilcour ou le libertin «partagé» selon Crébillon fils
  2. Anne Deneys-Tunney
  3. pp. 83-94
  4. DOI: 10.1353/esp.2010.0316
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  1. Caïn, figure de la modernité (Conrad, Unamuno, Hesse, Steinbeck, Butor, Tournier) (review)
  2. Myriam Roman
  3. pp. 96-97
  4. DOI: 10.1353/esp.2010.0384
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  1. Terror and Its Discontents: Suspect Words in Revolutionary France (review)
  2. Geoffrey Turnovsky
  3. p. 99
  4. DOI: 10.1353/esp.2010.0234
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  1. Rimbaud et l'Algérie (review)
  2. Saddek Aouadi
  3. pp. 99-100
  4. DOI: 10.1353/esp.2010.0269
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  1. Index, Volume XLIII (2003)
  2. pp. 101-102
  3. DOI: 10.1353/esp.2010.0303
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