1. Guillaume de Lorris' Rose or the Mourning Beat of Narcissism
  2. Claire Nouvet
  3. pp. 3-13
  4. DOI: 10.1353/esp.2010.0083
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  1. Future's Phantoms, or Reincarnations of the Parricidal Past in the Roman d'Eneas
  2. Zrinka Stahuljak
  3. pp. 14-24
  4. DOI: 10.1353/esp.2010.0114
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  1. Nothing to Say: Fragments on the Mother in the Age of Mechanical Reproduction
  2. Elissa Marder
  3. pp. 25-35
  4. DOI: 10.1353/esp.2010.0145
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  1. The Tears of Philosophy
  2. Didier Maleuvre
  3. pp. 36-46
  4. DOI: 10.1353/esp.2010.0175
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  1. The Last Word: Deathbed Scenes in the Works of Nathalie Sarraute
  2. Mark D. Lee
  3. pp. 47-57
  4. DOI: 10.1353/esp.2010.0205
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  1. Patchwork Beckett
  2. Ann Smock
  3. pp. 58-68
  4. DOI: 10.1353/esp.2010.0039
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  1. Passive Suicide
  2. Monica Kelley
  3. pp. 69-78
  4. DOI: 10.1353/esp.2010.0070
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  1. Writing the Ending: Simone de Beauvoir's Tout compte fait as testament
  2. Susan Bainbrigge
  3. pp. 79-87
  4. DOI: 10.1353/esp.2010.0101
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  1. "La mort ne recèle pas tant de mystère": Robert Antelme's Defaced Humanism
  2. Bruno Chaouat
  3. pp. 88-99
  4. DOI: 10.1353/esp.2010.0132
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  1. L'identité posthume dans le Paradis d'Hervé Guibert
  2. Isabelle Décarie
  3. pp. 100-110
  4. DOI: 10.1353/esp.2010.0163
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  1. Fabulous Identities: Women's Fairy Tales in Seventeenth-century France (review)
  2. Michèle Longino
  3. p. 111
  4. DOI: 10.1353/esp.2010.0193
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  1. Poetry and Moral Dialectic. Baudelaire's "Secret Architecture" (review)
  2. Michael Bishop
  3. pp. 111-112
  4. DOI: 10.1353/esp.2010.0027
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  1. Erratum
  2. p. 112
  3. DOI: 10.1353/esp.2010.0058
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