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Table of Contents

  1. Avant-propos
  2. Guy Spielmann
  3. pp. 5-6
  4. DOI: https://doi.org/10.1353/esp.2010.0442
  5. restricted access
  1. Le Théâtre de Neptune (1606), ou l'entrée royale en Nouvelle-France
  2. Bernard Andrès
  3. pp. 7-16
  4. DOI: https://doi.org/10.1353/esp.2010.0443
  5. restricted access
  1. Dans le sillage doré de l'enchanteur: la mise en scène royale sous Louis XIV
  2. Didier Course
  3. pp. 17-25
  4. DOI: https://doi.org/10.1353/esp.2010.0444
  5. restricted access
  1. Representing Royal Spectacle in Paris, 1660-1662
  2. Alice Grier Jarrard
  3. pp. 26-37
  4. DOI: https://doi.org/10.1353/esp.2010.0445
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  1. Spectacular Sights: The Promenades of Seventeenth-Century Paris
  2. Elizabeth Kugler
  3. pp. 38-46
  4. DOI: https://doi.org/10.1353/esp.2010.0446
  5. restricted access
  1. Usage et esthétique du miroir dans une pièce orientale: La Statue merveilleuse de Lesage
  2. Isabelle Martin
  3. pp. 47-55
  4. DOI: https://doi.org/10.1353/esp.2010.0447
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  1. The Form That Fell to Earth: Parisian Fairground Theatre
  2. Barry Russell
  3. pp. 56-63
  4. DOI: https://doi.org/10.1353/esp.2010.0448
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  1. Spectacles of Intimacy: A New Look at the comédie larmoyante
  2. Deborah Steinberger
  3. pp. 64-75
  4. DOI: https://doi.org/10.1353/esp.2010.0449
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  1. Spectacle, théâtre, texte: esquisse d'une problématique
  2. Guy Spielmann
  3. pp. 76-88
  4. DOI: https://doi.org/10.1353/esp.2010.0450
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Book Reviews

  1. Les Propos spectacle: Etudes de pragmatique théâtrale (review)
  2. Roger W. Herzel
  3. p. 89
  4. DOI: https://doi.org/10.1353/esp.2010.0451
  5. restricted access
  1. Les Cérémonies de la parole. L'éloquence d'apparat en France dans le dernier quart du XVIIe siècle (review)
  2. Denis Augier
  3. pp. 89-90
  4. DOI: https://doi.org/10.1353/esp.2010.0452
  5. restricted access
  1. Œuvres complètes I: Théâtre-poésie (review)
  2. Ronald W. Tobin
  3. pp. 90-92
  4. DOI: https://doi.org/10.1353/esp.2010.0453
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  1. Writing Cogito: Montaigne, Descartes, and the Institution of the Modern Subject (review)
  2. Todd W. Reeser
  3. pp. 92-93
  4. DOI: https://doi.org/10.1353/esp.2010.0454
  5. restricted access
  1. Geopoetics: The Politics of Mimesis in Poststructuralist French Poetry and Theory (review)
  2. Patrick Ffrench
  3. p. 93
  4. DOI: https://doi.org/10.1353/esp.2010.0455
  5. restricted access
  1. Black Venus. Sexualized Savages, Primal Fears, and Primitive Narratives in French (review)
  2. John Erickson
  3. pp. 94-95
  4. DOI: https://doi.org/10.1353/esp.2010.0456
  5. restricted access