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Table of Contents

  1. The Acoustic Body: Rumba Guarapachanguera and Abakuá Sociality in Central Park
  2. Berta Jottar
  3. pp. 1-24
  4. DOI: https://doi.org/10.1353/lat.0.0031
  5. restricted access
  1. The Singing Voice and Racial Politics on the Brazilian Evangelical Music Scene
  2. John Burdick
  3. pp. 25-55
  4. DOI: https://doi.org/10.1353/lat.0.0032
  5. restricted access
  1. Appropriation in Reverse; or What Happens When Popular Music Goes Dodecaphonic
  2. Fabio Akcelrud Durão, José Adriano Fenerick
  3. pp. 56-68
  4. DOI: https://doi.org/10.1353/lat.0.0030
  5. restricted access
  1. Placer Culpable: Shame and Nostalgia in the Chilean 1990s Balada Revival
  2. Daniel Party
  3. pp. 69-98
  4. DOI: https://doi.org/10.1353/lat.0.0034
  5. restricted access
  1. Imposing Harmony: Music and Society in Colonial Cuzco (review)
  2. Joshua Tucker
  3. pp. 99-103
  4. DOI: https://doi.org/10.1353/lat.0.0028
  5. restricted access
  1. Seis casi-sonatas en cuartos de tono para violoncello solo (review)
  2. Alejandro L. Madrid
  3. pp. 103-105
  4. DOI: https://doi.org/10.1353/lat.0.0029
  5. restricted access
  1. Marimbas in Latinamerika. Historische Fakten und Status quo der Marimbatraditionen in Mexiko, Guatemala, Belize, Honduras, El Salvador, Nicaragua, Costa Rica, Kolumbien, Ecuador, und Brasilien (review)
  2. Carola Schormann
  3. pp. 105-107
  4. DOI: https://doi.org/10.1353/lat.0.0027
  5. restricted access
  1. Kusisqa Waqashayku (review)
  2. Kathryn Metz
  3. pp. 107-109
  4. DOI: https://doi.org/10.1353/lat.0.0036
  5. restricted access
  1. Communications and Announcements
  3. pp. 110-112
  4. DOI: https://doi.org/10.1353/lat.0.0035
  5. restricted access
  1. Contributors
  3. pp. 113-114
  4. DOI: https://doi.org/10.1353/lat.0.0033
  5. restricted access