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From: Latin American Music Review

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  Volume 30, Number 1, Spring/Summer 2009

Table of Contents

Articles

The Acoustic Body: Rumba Guarapachanguera and Abakuá Sociality in Central Park

pp. 1-24 | DOI: 10.1353/lat.0.0031
Berta Jottar
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The Singing Voice and Racial Politics on the Brazilian Evangelical Music Scene

pp. 25-55 | DOI: 10.1353/lat.0.0032
John Burdick
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Appropriation in Reverse; or What Happens When Popular Music Goes Dodecaphonic

pp. 56-68 | DOI: 10.1353/lat.0.0030
Fabio Akcelrud Durão, José Adriano Fenerick
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Placer Culpable: Shame and Nostalgia in the Chilean 1990s Balada Revival

pp. 69-98 | DOI: 10.1353/lat.0.0034
Daniel Party
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Reviews

Imposing Harmony: Music and Society in Colonial Cuzco (review)

pp. 99-103 | DOI: 10.1353/lat.0.0028
Joshua Tucker
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Seis casi-sonatas en cuartos de tono para violoncello solo (review)

pp. 103-105 | DOI: 10.1353/lat.0.0029
Alejandro L. Madrid
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Marimbas in Latinamerika. Historische Fakten und Status quo der Marimbatraditionen in Mexiko, Guatemala, Belize, Honduras, El Salvador, Nicaragua, Costa Rica, Kolumbien, Ecuador, und Brasilien (review)

pp. 105-107 | DOI: 10.1353/lat.0.0027
Carola Schormann
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Kusisqa Waqashayku (review)

pp. 107-109 | DOI: 10.1353/lat.0.0036
Kathryn Metz
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Communications and Announcements

Communications and Announcements

pp. 110-112 | DOI: 10.1353/lat.0.0035
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Contributors

Contributors

pp. 113-114 | DOI: 10.1353/lat.0.0033
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Research Areas

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