1. The Way of Imperfection: Laughter and Mysticism in Marguerite de Navarre’s L’Heptaméron
  2. Antonia Szabari
  3. pp. 1-16
  4. DOI: 10.1353/frf.0.0053
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  1. Travestissement discursif et discours utopique: Marivaux et les digressions de Marianne
  2. Jean-Marc Kehrès
  3. pp. 17-34
  4. DOI: 10.1353/frf.0.0047
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  1. All that Glitters: Connecting Baudelaire’s Art Criticism and Poetry
  2. Sara Pappas
  3. pp. 35-53
  4. DOI: 10.1353/frf.0.0052
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  1. Postérité de L’Espèce humaine
  2. François Bizet
  3. pp. 55-68
  4. DOI: 10.1353/frf.0.0059
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  1. History, Excess and Testimony in Jonathan Littell’s Les Bienveillantes
  2. Liran Razinsky
  3. pp. 69-87
  4. DOI: 10.1353/frf.0.0046
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  1. Chanter sa vie: autobiophonie
  2. Tristan Kewe
  3. pp. 89-104
  4. DOI: 10.1353/frf.0.0050
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  1. Bernanos-Bresson (Journal d’un curé de campagne): le spectateur du film/lecteur du journal, ou l’image des mots
  2. Mireille Raynal-Zougari
  3. pp. 105-121
  4. DOI: 10.1353/frf.0.0056
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  1. An Auteur for All Seasons: An Interview with Eric Rohmer
  2. Bert Cardullo
  3. pp. 123-136
  4. DOI: 10.1353/frf.0.0051
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  1. Popular Bohemia: Modernism and Urban Culture in Nineteenth-Century Paris (review)
  2. Carol Mossman
  3. pp. 137-139
  4. DOI: 10.1353/frf.0.0055
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  1. The Violence of Modernity: Baudelaire, Irony, and the Politics of Form (review)
  2. Éric Trudel
  3. pp. 139-141
  4. DOI: 10.1353/frf.0.0049
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  1. Michel Houellebecq revisité: L’écriture houellebecquienne, and: Houellebecq: Sperme et sang (review)
  2. Efstratia Oktapoda
  3. pp. 142-145
  4. DOI: 10.1353/frf.0.0054
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  1. Ecrire pour qui? L’écrivain francophone et ses publics (review)
  2. Dominique D. Fisher
  3. pp. 145-147
  4. DOI: 10.1353/frf.0.0045
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  1. Making Waves: New Cinemas of the 1960s (review)
  2. Christian Keathley
  3. pp. 147-149
  4. DOI: 10.1353/frf.0.0048
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  1. In Memoriam
  2. Stéphane Mallarmé, Anne Freadman
  3. p. v
  4. DOI: 10.1353/frf.0.0058
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  1. Books Received
  2. pp. 151-152
  3. DOI: 10.1353/frf.0.0057
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