1. The Manuscript of Septimius: Revisiting the Scene of Hawthorne’s “Failure”
  2. Magnus Ullén
  3. pp. 239-267
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  1. That “Old Rigmarole of Childhood”: Fairytales and Socialization in Elizabeth Gaskell’s Wives and Daughters
  2. Carrie Wasinger
  3. pp. 268-284
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  1. The Sublime Train of Sight in A Hazard of New Fortunes
  2. Christopher Raczkowski
  3. pp. 285-307
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  1. We’re on a Road to Nowhere: Steinbeck, Kerouac, and the Legacy of the Great Depression
  2. Jason Spangler
  3. pp. 308-327
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  1. Realism, Modernism, and the Representation of Memory in Dodie Smith’s I Capture the Castle
  2. Victoria Stewart
  3. pp. 328-343
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  1. Representing Violence, Rewriting Empire
  2. Evan Gottlieb
  3. pp. 344-350
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  1. Modern England: Police State, Empire, Cosmopolis
  2. Stephen Ross
  3. pp. 351-366
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  1. D. H. Lawrence’s Language of Sacred Experience: The Transfiguration of the Reader (review)
  2. Matthew Leone
  3. pp. 368-369
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  1. Race, Nationalism and the State in British and American Modernism (review)
  2. Peter Kerry Powers
  3. pp. 370-371
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  1. Insane Passions: Lesbianism and Psychosis in Literature and Film (review)
  2. Susan McCabe
  3. pp. 371-374
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  1. Walker Percy’s Search for Community (review)
  2. Farrell O’Gorman
  3. pp. 374-376
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  1. Rebecca West Today: Contemporary Critical Approaches (review)
  2. Marina Mackay
  3. pp. 376-377
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  1. Chesnutt and Realism: A Study of the Novels (review)
  2. Cynthia A. Callahan
  3. pp. 377-379
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  1. Beautiful Bottom, Beautiful Shame: Where “Black” Meets “Queer" (review)
  2. Magdalena J. Zaborowska
  3. pp. 379-381
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  1. Violent Adventure: Contemporary Fiction by American Men (review)
  2. Kevin Alexander Boon
  3. pp. 381-383
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  1. Thomas Hardy Reappraised: Essays in Honour of Michael Millgate (review)
  2. Laura Green
  3. pp. 383-384
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