1. from Bridge of Sand
  2. Janet Burroway
  3. pp. 5-26
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  1. Like Ours
  2. Gary Fincke
  3. pp. 27-28
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  1. Judas Horse, and: The Flood
  2. Alison Stine
  3. pp. 28-30
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  1. Fear of Heights, and: Anna Kuerner, and: Seafarer
  2. Catherine Staples
  3. pp. 30-33
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  1. Not Speaking History, and: Time Being What It Is, and: The Most Beautiful Man
  2. Mary Crow
  3. pp. 33-35
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  1. Back to Old Mhaigh Eo, and: John Early Wonders, Waiting Dawn
  2. R. F. McEwen
  3. pp. 36-38
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  1. In Ireland, Meeting the Ghosts, and: Rhododendron Glade, Kew Gardens
  2. Susan Elizabeth Howe
  3. pp. 39-41
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  1. From a Deep Place, and: Dear God, and: Arrangements
  2. Richard Robbins
  3. pp. 41-43
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  1. Sometimes a True Story, and: The Bus
  2. Hailey Leithauser
  3. pp. 44-45
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  1. Cast, and: Fugitive, and: God Mothers
  2. Naton Leslie
  3. pp. 46-47
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  1. Last, and: Pears
  2. Maxine Scates
  3. pp. 48-49
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  1. Won't You Stay, Please?
  2. Paul Eggers
  3. pp. 50-82
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  1. Stasis, He Says, Is Not the Object, and: Monsieur Duvet & Madame Lit
  2. Susan Terris
  3. pp. 83-84
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  1. Breath, and: X
  2. Lance Larsen
  3. pp. 85-87
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  1. Cezanne at Sixty-one, and: Close Reading, and: Abbaye de Sénanque, and: Almost Equinox, and: The Shore
  2. Floyd Skloot
  3. pp. 88-93
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  1. Between Us
  2. Kelly Sievers
  3. p. 94
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  1. Tyra Hunter, and: Adam's Work, and: The Other Side
  2. Jason Schneiderman
  3. pp. 95-98
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  1. The First Trial, and: Cupid's Study, and: Elegy for Judy
  2. Bradford Tice
  3. pp. 98-106
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  1. Signifier, and: Playing the Nanny to Be With You
  2. Meg Shevenock
  3. pp. 106-108
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  1. Ruth Marshak at Los Alamos, and: Rose Bethe at Los Alamos, and: Appolonia Chalee, Los Alamos, 1944, and: Joan Hinton at Trinity
  2. John Canaday
  3. pp. 109-112
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  1. Exile
  2. Dawn Potter
  3. pp. 113-114
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  1. The Silver Locket, and: The Diamond Dog, and: The Green of Oxygen
  2. Diane Wakoski
  3. pp. 114-117
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  1. Noah's Stowaway, and: The Missing Commandments
  2. Jennifer Gresham
  3. pp. 117-119
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  1. Death by Water, and: Death by Fire, and: Death by Bullet
  2. Karen Craigo
  3. pp. 120-122
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  1. Shadow on a Weary Land
  2. Lydia Peelle
  3. pp. 123-140
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  1. Jellyfish, and: Teleology of Islands, and: Savants
  2. Jessica Johnson
  3. pp. 141-143
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  1. Absolution
  2. William Trowbridge
  3. pp. 143-144
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  1. Maybe Gravity, and: On the Commute
  2. Rachel Webster
  3. pp. 144-146
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  1. Waltz of the Midnight Miscarriage, and: What I Know, and: Reading Sappho in a Wine Bar
  2. Keetje Kuipers
  3. pp. 147-149
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  1. Salt on Skin
  2. Shelley Savren
  3. pp. 149-150
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  1. Directions, and: About Necessity, and: The Ice
  2. David Rossi
  3. pp. 150-152
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  1. Biopsy, and: Dark Stars, and: The Lesson
  2. Joelle Biele
  3. pp. 152-154
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  1. Portrait, and: Wading
  2. Paula Goldman
  3. pp. 155-157
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  1. Farmer's Market, and: Since Yesterday
  2. Robert Parham
  3. pp. 157-159
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  1. Over the Deep Empty Answer, and: Dump
  2. Paul Hunter
  3. pp. 159-161
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  1. The Shaking
  2. Paul Martin
  3. pp. 161-162
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  1. The Queen, and: Weaning, and: Lost Children
  2. Felecia Caton Garcia
  3. pp. 163-165
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  1. Art Strips Life Clean
  2. C. J. Sage
  3. pp. 165-166
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  1. In Memoriam: Mark Perlberg, 1929–2008
  2. Hilda Raz
  3. p. 167
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  1. The Battlefield Photographer, and: Fool's Gold, and: Rotogravure, and: Wayfare (review)
  2. Stephen C. Behrendt
  3. pp. 169-174
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  1. Sedaris (review)
  2. Dave Madden
  3. pp. 174-177
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  1. A Glass of Milk to Kiss Goodnight (review)
  2. Rebecca Morgan Frank
  3. pp. 177-180
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  1. The Second Coming of Mavala Shikongo (review)
  2. Ryan Rase McCray
  3. pp. 180-182
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  1. The Bad Secret (review)
  2. Merrill Leffler
  3. pp. 182-185
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  1. Index
  2. pp. 193-196
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  1. Contributors
  2. pp. 187-192
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