restricted access   Volume 59, Number 4, Winter 2008

Table of Contents

The First Literary Hamlet and the Commonplacing of Professional Plays

pp. 371-420
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“O teach me how to make mine own excuse”: Forensic Performance in Lucrece

pp. 421-449
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Eclipse of Action: Hamlet and the Political Economy of Playing

pp. 450-482
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Book Reviews

The RSC Shakespeare. William Shakespeare Complete Works (review)

pp. 483-488
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The Arden Shakespeare. Shakespeare’s Poems (review)

pp. 488-491
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Shakespeare’s Sonnets (review)

pp. 491-493
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The Perfect Ceremony of Love’s Rite: Shakespeare’s Sonnets and “A Lover’s Complaint” (review)

pp. 494-496
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Power and Passion in Shakespeare’s Pronouns: Interrogating “You” and “Thou” (review)

pp. 496-498
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Rhetorical Readings, Dark Comedies, and Shakespeare’s Problem Plays (review)

pp. 498-500
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Shakespeare, Memory and Performance (review)

pp. 500-503
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Double Vision: Moral Philosophy and Shakespearean Drama (review)

pp. 503-506
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Catholic Theology in Shakespeare’s Plays (review)

pp. 506-508
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Word vs Image: Cognitive Hunger in Shakespeare’s England (review)

pp. 509-513
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Staging Ireland: Representations in Shakespeare and Renaissance Drama (review)

pp. 513-515
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The Popular Culture of Shakespeare, Spenser, and Jonson (review)

pp. 515-518
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Pretty Creatures: Children and Fiction in the English Renaissance (review)

pp. 518-521
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Shakespeare in French Theory: King of Shadows (review)

pp. 521-523
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Shakespeare and Historical Formalism (review)

pp. 523-525
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Contributors

Contributors

pp. 526-528
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