1. The First Literary Hamlet and the Commonplacing of Professional Plays
  2. Zachary Lesser, Peter Stallybrass
  3. pp. 371-420
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  1. “O teach me how to make mine own excuse”: Forensic Performance in Lucrece
  2. William P. Weaver
  3. pp. 421-449
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  1. Eclipse of Action: Hamlet and the Political Economy of Playing
  2. Richard Halpern
  3. pp. 450-482
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  1. The RSC Shakespeare. William Shakespeare Complete Works (review)
  2. Anthony B. Dawson
  3. pp. 483-488
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  1. The Arden Shakespeare. Shakespeare’s Poems (review)
  2. Heather Dubrow
  3. pp. 488-491
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  1. Shakespeare’s Sonnets (review)
  2. Jyotsna G. Singh
  3. pp. 491-493
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  1. The Perfect Ceremony of Love’s Rite: Shakespeare’s Sonnets and “A Lover’s Complaint” (review)
  2. Anne Lake Prescott
  3. pp. 494-496
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  1. Power and Passion in Shakespeare’s Pronouns: Interrogating “You” and “Thou” (review)
  2. Jonathan Hope
  3. pp. 496-498
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  1. Rhetorical Readings, Dark Comedies, and Shakespeare’s Problem Plays (review)
  2. Bruce Danner
  3. pp. 498-500
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  1. Shakespeare, Memory and Performance (review)
  2. Alexander C. Y. Huang
  3. pp. 500-503
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  1. Double Vision: Moral Philosophy and Shakespearean Drama (review)
  2. Richard Strier
  3. pp. 503-506
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  1. Catholic Theology in Shakespeare’s Plays (review)
  2. Hannibal Hamlin
  3. pp. 506-508
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  1. Word vs Image: Cognitive Hunger in Shakespeare’s England (review)
  2. Bruce R. Smith
  3. pp. 509-513
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  1. Staging Ireland: Representations in Shakespeare and Renaissance Drama (review)
  2. Jean Feerick
  3. pp. 513-515
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  1. The Popular Culture of Shakespeare, Spenser, and Jonson (review)
  2. Skiles Howard
  3. pp. 515-518
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  1. Pretty Creatures: Children and Fiction in the English Renaissance (review)
  2. Gina Bloom
  3. pp. 518-521
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  1. Shakespeare in French Theory: King of Shadows (review)
  2. David Hawkes
  3. pp. 521-523
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  1. Shakespeare and Historical Formalism (review)
  2. Scott L. Newstok
  3. pp. 523-525
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  1. Contributors
  2. pp. 526-528
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