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  Volume 60, Number 4, December 2008

Table of Contents

Popular Culture and Theatre History

Editorial Comment: Popular Culture and Theatre History

pp. x-xii

“A theatrical race”: American Identity and Popular Performance in the Writings of Constance M. Rourke

pp. 529-543

The Judicial and the Melodramatic Stage: Trial Scenes in Boucicault’s Arrah-na-Pogue and The Octoroon

pp. 545-561

Field Tripping: The Power of Inherit the Wind

pp. 563-583

Patriotic Acts of Consumption: Lucile (Lady Duff Gordon) and the Vaudeville Fashion Show Craze

pp. 585-608

Political Animals: Engagements with Imperial and Gender Discourses in Late-Colonial Australian Circuses

pp. 609-629

Performance Review

The Pinch Brothers (Also Sisters) In: "The Bawdy House" (review)

pp. 631-633

Blue Man Group: How to Be a Megastar Tour 2.1, and: Blue Man Group: Orlando (review)

pp. 634-635

Passing Strange (review)

pp. 635-637

Sunday in the Park with George (review)

pp. 638-639

Die Dreigroschenoper (The Threepenny Opera), and: The Masque of the Red Death (review)

pp. 639-643

Adding Machine, a Musical (review)

pp. 643-646

Trifles, and: The Outside, and: Suppressed Desires, and: Chains of Dew (review)

pp. 646-649

Time is the Mercy of Eternity (review)

pp. 649-650

Theatertreffen Festival (review)

pp. 650-654

(Un)Patriotic Acts of an Imagined Community: The Klein Karoo Nasionale Kunstefees (KKNK) (review)

pp. 654-659

Sizwe Banzi is Dead (review)

pp. 659-661

Dawn’s Light: The Journey of Gordon Hirabayashi (review)

pp. 661-664

Macbeth (review)

pp. 664-665

The Lastmaker (review)

pp. 665-667

Hey Girl! (review)

pp. 667-668

The Cenci (review)

pp. 668-670

Fishtank (review)

pp. 670-672

Who Do You Think You Are (review)

pp. 672-674

Book Review

British Pantomime Performance (review)

pp. 675-676

Performing Dark Arts: A Cultural History of Conjuring (review)

pp. 676-677

Living History Museums: Undoing History Through Performance (review)

pp. 677-678

Visual Delights Two: Exhibition and Reception (review)

pp. 679-680

Shakespeare and the American Popular Stage (review)

pp. 680-681

Shakespeare Films in the Making: Vision, Production and Reception (review)

pp. 681-682

American Drama in the Age of Film (review)

pp. 682-683

Forgetting Lot’s Wife: On Destructive Spectatorship, and: The Citizen Audience: Crowds, Publics, and Individuals (review)

pp. 683-685

New Deal Theater: The Vernacular Tradition in American Political Theater (review)

pp. 685-686

Robert E. Sherwood: The Playwright in Peace and War (review)

pp. 687-688

The Cambridge Companion to Brecht (review)

pp. 688-689

An Actor’s Work: A Student’s Diary (review)

pp. 689-690

The Actor, Image, and Action: Acting and Cognitive Neuroscience (review)

pp. 690-691

Multi-Media: Video—Installation—Performance (review)

pp. 692-693

Contemporary African American Women Playwrights: A Casebook (review)

pp. 693-694

New Women Dramatists in America, 1890–1920 (review)

pp. 694-695

Theater of a City: The Places of London Comedy, 1598–1642 (review)

pp. 695-696

Volume 60 Index

Index to Volume 60

pp. 701-708

Research Areas


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