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  Volume 60, Number 4, December 2008

Table of Contents

Popular Culture and Theatre History

Editorial Comment: Popular Culture and Theatre History

pp. x-xii
|

“A theatrical race”: American Identity and Popular Performance in the Writings of Constance M. Rourke

pp. 529-543
|

The Judicial and the Melodramatic Stage: Trial Scenes in Boucicault’s Arrah-na-Pogue and The Octoroon

pp. 545-561
|

Field Tripping: The Power of Inherit the Wind

pp. 563-583
|

Patriotic Acts of Consumption: Lucile (Lady Duff Gordon) and the Vaudeville Fashion Show Craze

pp. 585-608
|

Political Animals: Engagements with Imperial and Gender Discourses in Late-Colonial Australian Circuses

pp. 609-629
|

Performance Review

The Pinch Brothers (Also Sisters) In: "The Bawdy House" (review)

pp. 631-633
|

Blue Man Group: How to Be a Megastar Tour 2.1, and: Blue Man Group: Orlando (review)

pp. 634-635
|

Passing Strange (review)

pp. 635-637
|

Sunday in the Park with George (review)

pp. 638-639
|

Die Dreigroschenoper (The Threepenny Opera), and: The Masque of the Red Death (review)

pp. 639-643
|

Adding Machine, a Musical (review)

pp. 643-646
|

Trifles, and: The Outside, and: Suppressed Desires, and: Chains of Dew (review)

pp. 646-649
|

Time is the Mercy of Eternity (review)

pp. 649-650
|

Theatertreffen Festival (review)

pp. 650-654
|

(Un)Patriotic Acts of an Imagined Community: The Klein Karoo Nasionale Kunstefees (KKNK) (review)

pp. 654-659
|

Sizwe Banzi is Dead (review)

pp. 659-661
|

Dawn’s Light: The Journey of Gordon Hirabayashi (review)

pp. 661-664
|

Macbeth (review)

pp. 664-665
|

The Lastmaker (review)

pp. 665-667
|

Hey Girl! (review)

pp. 667-668
|

The Cenci (review)

pp. 668-670
|

Fishtank (review)

pp. 670-672
|

Who Do You Think You Are (review)

pp. 672-674
|

Book Review

British Pantomime Performance (review)

pp. 675-676
|

Performing Dark Arts: A Cultural History of Conjuring (review)

pp. 676-677
|

Living History Museums: Undoing History Through Performance (review)

pp. 677-678
|

Visual Delights Two: Exhibition and Reception (review)

pp. 679-680
|

Shakespeare and the American Popular Stage (review)

pp. 680-681
|

Shakespeare Films in the Making: Vision, Production and Reception (review)

pp. 681-682
|

American Drama in the Age of Film (review)

pp. 682-683
|

Forgetting Lot’s Wife: On Destructive Spectatorship, and: The Citizen Audience: Crowds, Publics, and Individuals (review)

pp. 683-685
|

New Deal Theater: The Vernacular Tradition in American Political Theater (review)

pp. 685-686
|

Robert E. Sherwood: The Playwright in Peace and War (review)

pp. 687-688
|

The Cambridge Companion to Brecht (review)

pp. 688-689
|

An Actor’s Work: A Student’s Diary (review)

pp. 689-690
|

The Actor, Image, and Action: Acting and Cognitive Neuroscience (review)

pp. 690-691
|

Multi-Media: Video—Installation—Performance (review)

pp. 692-693
|

Contemporary African American Women Playwrights: A Casebook (review)

pp. 693-694
|

New Women Dramatists in America, 1890–1920 (review)

pp. 694-695
|

Theater of a City: The Places of London Comedy, 1598–1642 (review)

pp. 695-696
|

Volume 60 Index

Index to Volume 60

pp. 701-708
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Research Areas

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